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" "I want you to see this.” I told him handing him the letter. While he read it I watched his face for reactions. He put the letter down quietly on his table, stood up and offered me his hand and said, “Congratulations colleague.
Joy Ifeoma Nroli Nwosu Lo-Bamijoko ' (amụrụ 27 Ọgọst 1940) bụ onye Naijiria ethnomusicologist, onye na-eduzi egwu egwu, onye nkatọ egwu na soprano. Onye nkuzi egwu na Mahadum Lagos, o kwalitere ihe ngosi Bel canto na Nigeria iji kwalite mmasị na opera na ụdị abụ Ịtali. O meela ihe karịrị 50 solo ma ọ bụ otu egwu na Nigeria na mba ole na ole. N'afọ 1968, o bipụtara akwụkwọ Cinema e Africa for Aracne editrice, otu nke gbasara ndị Africa na Cinema.
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I came to know about this because, the Ambassador himself, who knew me quite well because I was a regular performer at the Embassy, sent his driver to Unilag to pick me up and take me to the embassy. There he told me about this man who came to him with a lady, and tried to talk him into signing his translation of my credentials and assessment as correct.
One time, he told me that I should know that the right hand should wash the left hand for peace to reign. I reminded him that when I returned from Michigan to Nigeria to do my field work, I almost jeopardized my field work because he insisted that I must travel with his choir to Ghana and to different state of Nigeria. I pleaded with him to allow me some time to develop my own credits so that I can be promoted. He told me that he decided who got promoted or not, and that it did not depend on how much credit I can accumulate, but on how well I serve him. My God! I could not reason with the man.
I left the embassy in shock and determined to follow the Ambassador’s advice. Luck was on my side. It was 1977, and FESTAC was just winding down, when the US embassy in Lagos offered a number of exchange visitor scholarships to some Nigeria artistes, and I was one of them. I took the opportunity of my visit to the US to apply and audition for schools.