Miriam Makeba Quotes

I still don't know why they banned me" she says. "I said to them, 'What did I do? I never killed anybody. I was never arrested for anything bad, so why can't I go home?.<ref name="Denselow">

I will probably die singing.<ref name="poet2009">

I didn’t have much, but I was always happy to share what I did have. It seemed like every African that came to New York City would show up at my apartment door at dinnertime, and I couldn’t turn them away. I wasn’t much older than any of them, but they started calling me ‘Mama Africa’ and the name stuck.

We don't write our history. It has always been handed down to us orally by our elders.

My concerts were canceled left and right. Speaking about South African Apartheid was fine, but they were suddenly afraid I might speak about American Apartheid, although I never did. Bookers told me that my shows would finance radical activities and [Reprise Records] told me they were not going to honor my recording contract. I didn’t say anything, but if I was married to a troublemaker, I must be a troublemaker. I’d already lived in exile for 10 years, and the world is free, even if some of the countries in it aren’t, so I packed my bags and left.

In New York I heard A Piece of Ground, written by a white South African, Jeremy Taylor. I modified it a little and sang it myself. That song is very special to me because it deals with the land question in southern Africa. We were dispossessed of our land.<ref name="Al-Ahram Weekly">

[W]hen the President's visitors came to Guinea, we were all called on to go and entertain them. I've never seen a country that did what Sékou Touré did for artists. Even in South Africa today we are not nurtured like that.

[Belafonte]'d take me to perform for Martin Luther King's cause. But when they were marching I did not take part, because I was not a citizen

The white man, where ever he is, whether he is in the majority or the minority, he rules. It just proves to everyone that we have to keep fighting.

It's because they want to sound like Americans. I'd like to see them develop our music and sing it their way, but they think sounding American is going to take them higher, but it is not. They have beautiful voices, but they want to sound like Whitney Houston. You can't beat people like that at their own game. And they can't beat me at mine, either!

It was not a ban from the government. It was a cancellation by people who felt I should not be with Stokely because he was a rebel to them. I didn't care about that. He was somebody I loved, who loved me, and it was my life.

Belafonte sent his people to pick me up and I went back and shook his hand, then went back to my little flat. I was very happy to have met a president of the United States - little me!

Everywhere I performed in Brazil, I never saw black people. I only performed to white people. And they (the white people) said it's because they (the black people) can't afford to come here - it's too expensive. That is another form of keeping them from coming to where they can enjoy themselves together with white people. They keep them poor.

[Belafonte] was a good teacher and looked after me. He said, 'You have such great talent, you must try not to be a tornado - be like a submarine. It was good advice when I found myself speaking at the UN Committee Against Apartheid and then the UN General Assembly.

The conquerer writes history. They came, they conquered and they wrote. Now, you don't expect people who invaded us to write the truth about us. They will always write negative things about us. And they have to do that because they have to justify their invasions in all the countries.