Miriam Makeba Quotes

The tragedy of civil wars in countries like Angola and Mozambique is that they left many civilians maimed. Poverty is the reason HIV/AIDS spread so rapidly in the African townships and slums. Poverty is the real killer.

The white man, where ever he is, whether he is in the majority or the minority, he rules. It just proves to everyone that we have to keep fighting.

[W]hen the President's visitors came to Guinea, we were all called on to go and entertain them. I've never seen a country that did what Sékou Touré did for artists. Even in South Africa today we are not nurtured like that.

That was the only time my mother saw me on stage. At one point in the play I am strangled and my mother jumped from her seat and screamed: 'No. You will not get away with murder. You cannot do this to my daughter.' Friends explained to her that this was not for real — that we were acting. But she made such a fuss. Everyone was so embarrassed. On stage my heart sank.

My concerts were canceled left and right. Speaking about South African Apartheid was fine, but they were suddenly afraid I might speak about American Apartheid, although I never did. Bookers told me that my shows would finance radical activities and [Reprise Records] told me they were not going to honor my recording contract. I didn’t say anything, but if I was married to a troublemaker, I must be a troublemaker. I’d already lived in exile for 10 years, and the world is free, even if some of the countries in it aren’t, so I packed my bags and left.

We don't write our history. It has always been handed down to us orally by our elders.

I always wanted to leave home. I never knew they were going to stop me from coming back. Maybe, if I knew, I never would have left. It is kind of painful to be away from everything that you've ever know. Nobody will know the pain of exile until you are in exile. No matter where you go, there are times when people show you kindness and love, and there are times when they make you know that you are with them but not of them. That's when it hurts.<ref name="Bordowitz">

It's because they want to sound like Americans. I'd like to see them develop our music and sing it their way, but they think sounding American is going to take them higher, but it is not. They have beautiful voices, but they want to sound like Whitney Houston. You can't beat people like that at their own game. And they can't beat me at mine, either!

The truth shall never be covered by a lie.

I look at an ant and see myself: a native South African, endowed with a strength much greater than my size, so I might cope with the weight of racism that crushes my spirit.

It was not a ban from the government. It was a cancellation by people who felt I should not be with Stokely because he was a rebel to them. I didn't care about that. He was somebody I loved, who loved me, and it was my life.

I'm not a political singer. I don't know what the word means. People think I consciously decided to tell the world what was happening in South Africa. No! I was singing about my life, and in South Africa we always sang about what was happening to us — especially the things that hurt us.

Everywhere I performed in Brazil, I never saw black people. I only performed to white people. And they (the white people) said it's because they (the black people) can't afford to come here - it's too expensive. That is another form of keeping them from coming to where they can enjoy themselves together with white people. They keep them poor.

Girls are the future mothers of the , it is important we focus on their wellbeing.

[Belafonte]'d take me to perform for Martin Luther King's cause. But when they were marching I did not take part, because I was not a citizen