Miriam Makeba Quotes

Belafonte sent his people to pick me up and I went back and shook his hand, then went back to my little flat. I was very happy to have met a president of the United States - little me!

The conquerer writes history. They came, they conquered and they wrote. Now, you don't expect people who invaded us to write the truth about us. They will always write negative things about us. And they have to do that because they have to justify their invasions in all the countries.

That was the only time my mother saw me on stage. At one point in the play I am strangled and my mother jumped from her seat and screamed: 'No. You will not get away with murder. You cannot do this to my daughter.' Friends explained to her that this was not for real — that we were acting. But she made such a fuss. Everyone was so embarrassed. On stage my heart sank.

The tragedy of civil wars in countries like Angola and Mozambique is that they left many civilians maimed. Poverty is the reason HIV/AIDS spread so rapidly in the African townships and slums. Poverty is the real killer.

My concerts were canceled left and right. Speaking about South African Apartheid was fine, but they were suddenly afraid I might speak about American Apartheid, although I never did. Bookers told me that my shows would finance radical activities and [Reprise Records] told me they were not going to honor my recording contract. I didn’t say anything, but if I was married to a troublemaker, I must be a troublemaker. I’d already lived in exile for 10 years, and the world is free, even if some of the countries in it aren’t, so I packed my bags and left.

Girls are the future mothers of the , it is important we focus on their wellbeing.

In New York I heard A Piece of Ground, written by a white South African, Jeremy Taylor. I modified it a little and sang it myself. That song is very special to me because it deals with the land question in southern Africa. We were dispossessed of our land.<ref name="Al-Ahram Weekly">

I always wanted to leave home. I never knew they were going to stop me from coming back. Maybe, if I knew, I never would have left. It is kind of painful to be away from everything that you've ever know. Nobody will know the pain of exile until you are in exile. No matter where you go, there are times when people show you kindness and love, and there are times when they make you know that you are with them but not of them. That's when it hurts.<ref name="Bordowitz">

I'm not a political singer. I don't know what the word means. People think I consciously decided to tell the world what was happening in South Africa. No! I was singing about my life, and in South Africa we always sang about what was happening to us — especially the things that hurt us.

In those years, when I came to the States, people were always asking me why I didn’t sing anymore. I’d tell them, ‘I sing all around the world—Asia, Africa, Europe—but if you don’t sing in the US, then you haven’t really made it.’ That’s why I’ll always be grateful to Paul Simon. He allowed me to bring my music back to my friends in this country.

African music, though very old, is always being rediscovered in the West.

It's because they want to sound like Americans. I'd like to see them develop our music and sing it their way, but they think sounding American is going to take them higher, but it is not. They have beautiful voices, but they want to sound like Whitney Houston. You can't beat people like that at their own game. And they can't beat me at mine, either!

I look at an ant and see myself: a native South African, endowed with a strength much greater than my size, so I might cope with the weight of racism that crushes my spirit.

The truth shall never be covered by a lie.

[Belafonte]'d take me to perform for Martin Luther King's cause. But when they were marching I did not take part, because I was not a citizen