The politics of rock 'n' roll, in England or America or anywhere else, is that a whole lot of kids want to be fried out of their skins by the most sc… - Lester Bangs

The trend toward narcissistic flair has been responsible in large part for smiting rock with the superstar virus, which revolves around the substituting of attitudes and flamboyant trappings, into which the audience can project their fantasies, for the simple desire to make music, get loose, knock the folks out or get 'em up dancin.' It's not enough just to do those things anymore; what you must do instead if you want success on any large scale is figure a way of getting yourself associated in the audience's mind with their pieties and their sense of "community," i.e., ram it home that you're one of THEM; or, alternately, deck and bake yourself into an image configuration so blatant or outrageous that you become a culture myth.

A hero is a goddam stupid thing to have in the first place and a general block to anything you might wanta accomplish on your own.

In America you can ease into middle age with the accoutrements of adolescence still prominent and suffer relatively minor embarrassment: okay, so the guy's still got his sideburns and rod and beer and beergut and wife and three kids and a duplex and never grew up. So what? You're not supposed to grow up in America. You're supposed to consume. But in Britain it seems there is some ideal, no, some dry river one is expected to ford, so you can enter that sedate bubble where you raise a family, contributing in your small way to your society and keep your mouth shut. Until you get old, that is, when you can become an "eccentric" — do and say outrageous things, naughty things, because it's expected of you, you've crossed to the other mirror of the telescope of childhood.