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The trend toward narcissistic flair has been responsible in large part for smiting rock with the superstar virus, which revolves around the substituting of attitudes and flamboyant trappings, into which the audience can project their fantasies, for the simple desire to make music, get loose, knock the folks out or get 'em up dancin.' It's not enough just to do those things anymore; what you must do instead if you want success on any large scale is figure a way of getting yourself associated in the audience's mind with their pieties and their sense of "community," i.e., ram it home that you're one of THEM; or, alternately, deck and bake yourself into an image configuration so blatant or outrageous that you become a culture myth.

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The top rockers have a mythic aura about them, the "superstar," and that's a basically unhealthy state of things, in fact it's the very virus that's fucking up rock, a subspecies of the virus I spoke of earlier that infests our culture from popstars to politics.

...The music was evolving with society, and society, if you recall, there was a narcissism that entered society in the 80s. Saturday Night Fever, you know, hey! This whole LOOK, the LOOK about things, and the look almost became more important of the content...

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If you're going to be a fucking rock star go be one. People don't want to see the guy next door on stage; they want to see a being from another planet. You want to see somebody you'd never meet in ordinary life.

As well, there’s the age-old syndrome common to fans of musicians with passionate and discerning cult followings. When the objects of adulation are crass enough to become popular, they quickly become a case of “used to be good.

On the disappearance of "rock star" hysteria surrounding him: I took it rather better than some of them I could tell you about, who had nervous breakdowns because they’re not the king any more. I found fame really annoying. Anything to do with ‘celebrity’, I just don’t get.

Celebrity worship syndrome … is indicative of a kind of a complete dissolution of the self in favor of another. … Whether it's a mob mentality or a desire to be controlled by something higher than you, these cases are indicative of how charisma can replace the ego.

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The superstar effect, in other words, has a broader application today than Rosen could have predicted thirty years ago. An increasing number of individuals in our economy are now competing with the rock stars of their sectors.

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What happens is, people get a little taste of fame, and they get used to having things go that way, and the ego really kicks in. They'll do whatever it takes to stay there. They get addicted, and they make decisions that don't have anything to do with music. You get big like that, and people will maybe come and see you once. It never lasts. It's not real. I'll tell you this - it's fucking real behind a guitar.

To be a superstar, you must do something exceptional. Not just survive the Dip, but use the Dip as an opportunity to create something so extraordinary that people can’t help but talk about it, recommend it, and, yes, choose it.

You spend months and months listening to the music, absorbing, practicing, working with real musicians who worked with them and getting as much of that as you can. And then the day you start shooting, you have to throw it all away. Because, they had no self-consciousness. They were natural performers and at that time, it wasn't about how you could synthesize a voice and make it appealing, it was about the natural little hiccups and the way you related a story or wrote the soul in the words you wrote. And 90% of your popularity was your performance and your interpretation of your own song. So, once we learned it all you just have to just kind of hope it all sunk in somewhere and just let it all go, cause they just had incredible confidence.

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