PREMIUM FEATURE
Advanced Search Filters
Filter search results by source, date, and more with our premium search tools.
His appearance gives no clue to what his profession might be, and yet he doesn't look like a man without a profession either. Consider what he's like… - Robert Musil
" "His appearance gives no clue to what his profession might be, and yet he doesn't look like a man without a profession either. Consider what he's like: He always knows what to do. He knows how to gaze into a woman's eyes. He can put his mind to any question at any time. He can box. He is gifted, strong-willed, open-minded, fearless, tenacious, dashing, circumspect — why quibble, suppose we grant him all those qualities — yet he has none of them! They have made him what he is, they have set his course for him, and yet they don't belong to him. When he is angry, something in him laughs. When he is sad, he is up to something. When something moves him, he turns against it. He'll always see a good side to every bad action. What he thinks of anything will always depend on some possible context — nothing is, to him, what it is: everything is subject to change, in flux, part of a whole, of an infinite number of wholes presumably adding up to a super-whole that, however, he knows nothing about. So every answer he gives is only a partial answer, every feeling an opinion, and he never cares what something is, only 'how' it is — some extraneous seasoning that somehow goes along with it, that's what interests him.
English
Collect this quote
About Robert Musil
Robert Mathias Edler von Musil (6 November 1880 – 15 April 1942) was an Austrian writer. His unfinished long novel The Man Without Qualities is generally considered to be one of the most important modernist novels.
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
Additional quotes by Robert Musil
If there is a sense of reality, there must also be a sense of possibility. To pass freely through open doors, it is necessary to respect the fact that they have solid frames. This principle, by which the old professor had lived, is simply a requisite of the sense of reality. But if there is a sense of reality, and no one will doubt that it has its justifications for existing, then there must also be something we can call a sense of possibility. Whoever has it does not say, for instance: Here this or that has happened, will happen, must happen; but he invents: Here this or that might, could, or ought to happen. If he is told that something is the way it is, he will think: Well, it could probably just as well be otherwise. So the sense of possibility could be defined outright as the ability to conceive of everything there might be just as well, and to attach no more importance to what is than to what is not.
I am not only convinced that what I say is false, but also that what one might say against it is false. Despite this, one must begin to talk about it. In such a case the truth lies not in the middle, but rather all around, like a sack, which, with each new opinion one stuffs into it, changes its form, and becomes more and more firm.
Try QuoteGPT
Chat naturally about what you need. Each answer links back to real quotes with citations.
At home these men’s works [Kant, Schiller, Goethe] were kept in the bookcase with the green glass panes in Papa’s study, and Törless knew this bookcase was never opened except to display its contents to a visitor. It was like the shrine of some divinity to which one does not readily draw nigh and which one venerates only because one is glad that thanks to its existence there are certain things one need no longer bother about.
Loading...