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" "Unlike other comic book creators who were given either stateside or way-behind-lines assignments, and perhaps because Kirby understood Yiddish, the Jewish German dialect spoken by his family, he was sent as a scout behind enemy lines to draw maps. He endured and survived many harrowing violent experiences during his service, almost losing his feet to trench foot. He had no time for fascists or racists.
Jack Kirby August 28, 1917 – February 6, 1994), born Jacob Kurtzberg, was an American comic book artist, writer, and editor widely regarded as one of the medium's major innovators and one of its most prolific and influential creators.
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::The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.
Jack Kirby’s massive contributions to comics are common knowledge. His influential pulp-epic motifs. The revolutionary dynamism of his art. But here I’d like to talk about a more specific set of “King” Kirby’s innovations—his use of “minority” protagonists. Whether stressing the multi-ethnic makeup of America or revising racist preconceptions of Africa, Kirby’s work challenged comics’ unremarked upon WASPiness and white supremacy in quiet and not-so-quiet ways.