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" "I lost faith in the Oscars the first year I was a movie critic — the year that Bonnie and Clyde didn't win.
Roger Joseph Ebert (18 June 1942 – 4 April 2013) was an American film critic, film historian, journalist, essayist, screenwriter, and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013. He was the first film critic to win a Pulitzer Prize for Criticism.
Biography information from Wikiquote
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It is an interesting law of romance that a truly strong woman will choose a strong man who disagrees with her over a weak one who goes along. Strength demands intelligence, intelligence demands stimulation, and weakness is boring. It is better to find a partner you can contend with for a lifetime than one who accommodates you because he doesn't really care. … Sixty seconds of wondering if someone is about to kiss you is more entertaining than 60 minutes of kissing. … Spill the beans, and the conversation is history. Speak in code, with wit and challenge, and the process of decryption is like foreplay.
[W]hat Husbands and Wives argues is that many "rational" relationships are actually not as durable as they seem, because somewhere inside every person is a child crying me! me! me! We say we want the other person to be happy. What we mean is, we want them to be happy with us, just as we are, on our terms... Beneath the urgency of all the older characters - both men, both women, and even the older dating partners they experiment with - is the realization that life is short, that time is running out, that life sells you a romantic illusion and neglects to tell you that you can't have it, because when you take any illusion and make it flesh, its hair begins to fall out, and it has B.O., and it asks you what your sign is. True love involves loving another's imperfections, which are the parts that tend to endure.
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The beautiful Monique insists on joining their expedition and cannot be dissuaded; we think at first she has a nefarious motive, but no, she's probably taken a class in screenplay construction and knows that the film requires a sexy female lead. This could be the first case in cinematic history of a character voluntarily entering a movie because of the objective fact that she is required.