Snatch them baldheaded, slap their teeth out. Little starved faces four feet from the screen, you’d speak to them in a loud, commanding voice, get no… - Donald Barthelme

—What did you do today? —Went to the grocery store and Xeroxed a box of English muffins, two pounds of ground veal and an apple. In flagrant violation of the Copyright Act. —You had your nap, I remember that— —I had my nap. —Lunch, I remember that, there was lunch, slept with Susie after lunch, then your nap, woke up, right?, went Xeroxing, right?, read a book not a whole book but part of a book— —Talked to Happy on the telephone saw the seven o’clock news did not wash dishes want to clean up some of this mess? —If one does nothing but listen to the new music, everything else drifts, frays. Did Odysseus feel this way when he and Diomedes decided to steal Athene’s statue from the Trojans, so that they would become dejected and lose the war? I don’t think so, but who is to know what effect the new music of that remote time had on its hearers? —Or how it compares to the new music of this time? —One can only conjecture.

LeDuff’s argument (in Shock Art #37) that an image, once floated on the international art-sea, is a fish that anyone may grab with impunity, and make it his own, would not persuade an oyster. Questions of primacy are not to be scumbled in this way, which, had he been writing from a European perspective, he would understand, and be ashamed. The brutality of the American rape of the world’s exhibition spaces and organs of art-information has distanciated his senses. The historical aspects have been adequately trodden by others, but there is one category yet to be entertained—that of the psychological. The fact that LeDuff is replicated in every museum, in every journal, that one cannot turn one’s gaze without bumping into this raw plethora, LeDuff, LeDuff, LeDuff (whereas poor Bruno, the true progenitor, is eating the tops of bunches of carrots)—what has this done to LeDuff himself? It has turned him into a dead artist, but the corpse yet bounces in its grave, calling attention toward itself in the most unseemly manner. But truth cannot be swallowed forever. When the real story of low optical stimulus is indited, Bruno will be rectified.

Where is my daddy? asked the emerald. My da? Moll dropped a glass, which shattered. Your father. Yes, said the emerald, amn’t I supposed to have one? He’s not here. Noticed that, said the emerald. I’m never sure what you know and what you don’t know. I ask in true perplexity. He was Deus Lunus. The moon god. Sometimes thought of as the man in the moon. Bosh! said the emerald. I don’t believe it. Do you believe I’m your mother? I do. Do you believe you’re an emerald? I am an emerald. Used to be, said Moll, women wouldn’t drink from a glass into which the moon had shone. For fear of getting knocked up. Surely this is a superstition? Hoo, hoo, said Moll. I like superstition. I thought the moon was female. Don’t be culture-bound. It’s been female in some cultures at some times, and in others, not. What did it feel like? The experience. Not a proper subject for discussion with a child. The emerald sulking. Green looks here and there. Well it wasn’t the worst. Wasn’t the worst. I had an orgasm that lasted three hours. I judge that not the worst.