"My advice to a budding literary critic would be as follows. Learn to distinguish banality. Remember that mediocrity thrives on "ideas." Beware of th… - Vladimir Nabokov

And I still have other smothered memories, now unfolding themselves into limbless monsters of pain. Once, in a sunset-ending street of Beardsley, she turned to little Eva Rosen (I was taking both nymphets to a concert and walking behind them so close as almost to touch them with my person), she turned to Eva, and so very serenely and seriously, in answer to something the other had said about its being better to die than hear Milton Pinski; some local schoolboy she knew, talk about music, my Lolita remarked:
'You know what's so dreadful about dying is that you're completely on your own'; and it struck me, as my automaton knees went up and down, that I simply did not know a thing about my darling's mind and that quite possibly, behind the awful juvenile cliches, there was in her a garden and a twilight, and a palace gate - dim and adorable regions which happened to be lucidly and absolutely forbidden to me, in my polluted rags and miserable convulsions...

None could discern in him the shyness that makes a person so conspicuous among people who know each other well and are bound together by the established echoes of private jokes and by an allusive residue of people's names that to them are alive with special significance, making the newcomer feel as if the magazine story he has started to read had really begun long ago ... and he wonders if they have not deliberately contrived a conversation to which he is a stranger.

But nobody yet had been able to dig down to what was most captivating about her: this was the mysterious ability of her soul to apprehend in life only that which had once attracted and tormented her in childhood, the time when the soul's instinct is infallible; to seek out the amusing and the touching: to feel constantly an intolerable, tender pity for the creature whose life is helpless and unhappy; to feel across hundreds of miles that somewhere in Sicily a thin-legged little donkey with a shaggy belly is being brutally beaten. Whenever she did come across a creature that was being hurt, she experienced a kind of legendary eclipse — when inexplicable night comes down and ash flies and blood appears on the walls — and it seemed that if at once, at once, she did not help, did not cut short another's torture (the existence of which it was absolutely impossible to explain in a world so conducive to happiness), her heart would not stand it, and she would die.