For Baudelaire, man's poetic fate is to be the mirror of immensity; or even more exactly, immensity becomes conscious of itself, through man. Man for… - Gaston Bachelard

We must listen to poets.

But shall I have the strength to write this book? For there is a great distance between the words we speak uninhibitedly to a friendly audience and the discipline needed to write a book. When we are lecturing, we become animated by the joy of teaching and, at times, our words think for us. But to write a book requires really serious reflection.

"In my opinion, for Baudelaire, the word vast is a vocal value. It is a word that is pronounced, never only read, never only seen in the objects to which it is attached. It is one of those words that a writer always speaks softly while he is writing it. Whether in verse or in prose, it has a poetic effect, which is also an effect of vocal poetry. This word immediately stands out from the words that surround it, from the images, and perhaps, even, from the thought. It is a "power of the word." Indeed, whenever we read this word in the measure of one of Baudelaire's verses, or in the periods of his prose poems, we have the impression that he forces us to pronounce it. The word vast, then, is a vocable of breath. It is placed on our breathing, which must be slow and calm. And the fact is that always, in Baudelaire's poetics, the word vast evokes calm, peace and serenity. It expresses a vital, intimate conviction. It transmits to our ears the echo of the secret recesses of our being. For this word bears the mark of gravity, it is the enemy of turmoil, opposed to the vocal exaggerations of declamation. In diction enslaved to strict measure, it would be shattered. The word vast must reign over the peaceful silence of being."