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The temple of Vrishabdeva stands isolated in the center of a quadrangular court, the length of which, from east to west, is about one hundred and eig… - James Tod
" "The temple of Vrishabdeva stands isolated in the center of a quadrangular court, the length of which, from east to west, is about one hundred and eighty feet, and the breadth one hundred feet. Along its internal faces are ranges of cells, nineteen on the larger, and ten on each of the smaller sides, each cell being of uniform dimensions…. The whole is of pure white marble, every column, dome, and altar varying in form and ornament, the richness and delicacy of execution being indescribable. Each of the fifty-eight cells merits an entire day’s study, and a first-rate pencil to delineate it. It is asserted that each separate cell was added by wealthy individuals, of various cities and countries, professing the Jain faith, which may account for the great diversity of style and ornament, while the harmony and symmetry of the whole attest that one master-mind must have planned and executed it, except at the south-west angle, where some dissimilarity prevails. The altars are of a chaste and simple design, while money, labour, skill, and taste, have been lavished on the details of the colonnade, wherein each of the columnar rules of Jain architecture has its example. Each cell contains its statue decided to the particular object of worship of the person at whose expense it was raised, and inscriptions recording the period of erection are carved on the inner lintel of every doorway…
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About James Tod
Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an English-born officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han.
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Lieutenant-Colonel James Tod
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Additional quotes by James Tod
It is scarcely to be credited that a statesman like Akbar should have hazarded his popularity or his power, by the introduction of a custom alike appertaining to the Celtic races of Europe as to these the Goths of Asia; and that he should seek to degrade those whom the chances of war had made his vassals, by conduct so nefarious and repugnant to the keenly cherished feelings of the Rajput. Yet there is not a shadow of doubt that many of the noblest of the race were dishonoured on the Nauroza; and the chivalrous Prithiraj was only preserved from being of the number by the high courage and virtue of his wife, a princess of Mewar, and daughter of the founder of the Saktawats. On one of these celebrations of the Khushroz, the monarch of the Moguls was struck with the beauty of the daughter of Mewar, and he singled her out from amidst the united fair of Hind as the object of his passion. It is not improbable that an ungenerous feeling united with that already impure, to despoil the Sesodias of their honour, through a princess of their house under the protection of the sovereign. On retiring from the fair, she found herself entangled amidst the labyrinth of apartments by which egress was purposely ordained, when Akbar stood before her: but instead of acquiescence, she drew a poniard from her corset, and held it to his breast, dictating, and making him repeat, the oath of renunciation of the infamy to all her race. The anecdote is accompanied in the original with many dramatic circumstances. The guardian goddess of Mewar, the terrific Mata, appears on her tiger in the subterranean passage of this palace of pollution, to strengthen her mind by a solemn denunciation , and her hand with a weapon to protect her honour. Rae Singh, the elder brother of the princely bard, had not been so fortunate; his wife wanted either courage or virtue to withstand the regal tempter, and she returned to their dwelling in the desert despoiled of her chastity, but loaded with jewels; or, as Prithiraj expresses it: “She returned to her abode, tramping to the tinkling sound of the ornaments of gold and gems on her person; but where, my brother, is the moustache on thy lip?”
[Once in a while, ladies with courage and virtue, stood up against the royal advances like the wife of Prithviraj Singh, Rae Singh's younger brother. She was a princess of Mewar and once on returning from the fair found herself entangled amidst the labyrinth of apartments at the end of which Akbar stood before her,] “but instead of acquiesence, she drew a poniard from her corset and held it to his breast, dictating, and making him repeat the oath of rununciation of the infamy of all her race".
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