A pencil is a simple and predictable piece of technology. There's only one way of it working (it will function when it is sharp), and an obvious fail… - Michael Marshall Smith

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A pencil is a simple and predictable piece of technology. There's only one way of it working (it will function when it is sharp), and an obvious failure model(too short, too blunt, no lead). With a car, especially the kind of limp-along rust bucket most of us got for our first ride, it's more complex. There's coaxing involved, especially on cold mornings. There's that noise that never amounts to anything but never goes away, random stalls you begin to put down to the cast of the moon. None of it means it's broken, just that it requires friendly attention, that it has needs. Gradually you acquire a ritualized relationship to it, a bond forged by its unpredictability, by the fact it has to be dealt with. Which is how you come to know people, after all: not by things they have in common with everyone else, but through learning your way around their eccentricities, their hard edges and unpredictable softnesses, the things that make them different from everybody else.

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About Michael Marshall Smith

Michael Marshall Smith (born May 3, 1965) is a British novelist, screenwriter and short story writer. When writing thrillers, he writes under the name Michael Marshall.

Also Known As

Pen Names: Michael Marshall
Alternative Names: Michael Paul Marshall Smith Michael Rutger

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Additional quotes by Michael Marshall Smith

All the difference in the world are as nothing compared to this: the difference between being you and being me. It makes the chasms between gods and men, between men and women, between dead and alive, seem almost trivial.<p>You are you. She is someone else. Between lie the stars.

I'm not sure I'd want to pick the brain of any author. Some writers have a lot to say about what they write and why they write it. Others don't. I've met a lot of writers who have an awful lot to say in the bar, but whose books seem curiously empty.

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The United States is different because I've spent a lot of time there since, and so there's more of a continuum. It's definitely the U.S. that has the deepest roots in my soul. I spent my childhood believing I was English, and would one day be going home. But when we came back to live here, I started to realise how much of me was bedded somewhere else. Whenever I walk out of an airport in the U.S. and smell the air, a bit of me feels it's coming home.

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