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" "The first time Tim Westwood did that chestbump to me, I ended up sort of cuddling his arm.
Russell Edward Brand (born 4 June 1975 in Grays, Essex) is an English comedian, radio DJ, television presenter, newspaper columnist, and occasional actor. Serious allegations of Brand's illegal conduct towards women were reported by the media in September 2023, followed by criminal charges against the performer in April 2025. He denies all claims.
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All anyone’s got is theories, usually distorted by what they’ve been through or what they want. This book, for example, was written by someone from a suburban, broken home, raised in Thatcher’s Britain, where inclusive ideas and family values were dismantled. A culture in which fame and celebrity became deified and drug use among the young extremely prevalent. Where modern manifestations of tribal identity like trade unions or guilds became redundant, manufacturing industries disappeared, neoliberalism emerged, and the welfare state was all but abolished. You could probably predict the contents of this book by looking at my weekly shopping receipt from Tesco’s. Alright, Waitrose. I’m dying to paint myself as a lowborn, Wat Tyler, Essex messiah; fortunately, I’m not quite that mad. I know that that heroic myth is part of my programming. That I’m quite a funny, normal bloke, that there’s a bit of bad in the best of us and a bit of good in the worst of us, that any centralized power structure with an egocentric figure at its helm will become corrupt.
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How did it feel in there to you when you were a child, in the aquarium of your head? I was lonely in mine as the world swam by in immaculately choreographed schools, like an inaccessible gang of Nemos. I was only really at ease with my mum and animals, and I treated them pretty badly. If you feel how I felt, I have been taught a few techniques that might help you. Here’s one for a kick-off: You have to forgive everyone for everything. You can’t cling on to any blame that you may be using to make sense of the story of your life. Even me with my story of one nan that I love and another that I don’t—that story is being used to maintain a certain perspective of mine, a perspective that justifies the way I am, and by justifying the way I am I ensure that I stay the same. I’m no longer interested in staying the same; I’m interested in Revolution, that means I have to go back and change the story of my childhood.