This, at least, is the accepted explanation, though like most economic explanations it seems, under certain lights, to omit the main point. - Ursula K. Le Guin
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This, at least, is the accepted explanation, though like most economic explanations it seems, under certain lights, to omit the main point.
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About
Ursula K. Le Guin
Ursula K. Le Guin (21 October 1929 – 22 January 2018) was an American writer, known mostly for her work in science fiction and fantasy. She received the Hugo Award, Nebula Award, Locus Award, and World Fantasy Award, and was made a Grandmaster of Science Fiction in 2003.
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Portrait adapted from
Wikimedia Commons, Marian Wood Kolisch, Oregon State University Restored by Adam Cuerden (CC BY-SA)
Also Known As
Birth Name:
Ursula Kroeber
Alternative Names:
Ursula Kroeber Le Guin
•
Ursula Le Guin
Portrait from Wikimedia Commons. Credit: Marian Wood Kolisch, Oregon State University Restored by Adam Cuerden. Used under CC BY-SA. Processed and styled by Quotewise.
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“She obeys me, but only because she wants to.” “It’s the only justification for obedience,” Ged observed.
A child free from the guilt of ownership and the burden of economic competition will grow up with the will to do what needs doing and the capacity for joy in doing it. It is useless work that darkens the heart. The delight of the nursing mother, of the scholar, of the successful hunter, of the good cook, of the skilful maker, of anyone doing needed work and doing it well, - this durable joy is perhaps the deepest source of human affection and of sociality as a whole.
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There is solid evidence for the fact that when women speak more than 30 percent of the time, men perceive them as dominating the conversation; well, similarly, if, say, two women in a row get one of the big annual literary awards, masculine voices start talking about feminist cabals, political correctness, and the decline of fairness in judging. The 30 percent rule is really powerful. If more than one woman out of four or five won the Pulitzer, the PEN/Faulkner, the Booker — if more than one woman in ten were to win the Nobel literature prize — the ensuing masculine furore would devalue and might destroy the prize. Apparently, literary guys can only compete with each other. Put on a genuinely equal competitive footing with women, they get hysterical.