The international jury of the Festival and the Opera Competition in Szeged composed of: Raymond DUFFAUT – the chairman of the jury, Andrea Rost, Esth… - Vasyl Slipak

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The international jury of the Festival and the Opera Competition in Szeged composed of: Raymond DUFFAUT – the chairman of the jury, Andrea Rost, Esther Lehoczky, Henry Little, Luca Targetti and Walter Kobéra decided that “The Emperor of Atlantis” by Viktor Ullmann, a performance directed by Beata Redo-Dobber with Tomasz Tokarczyk as a director of music, was the best of five performances presented between 6 and 14 October in Szeged. According to the jury’s verdict, Wassyl Slipak, playing the role of the Death (Der Tod) in “The Emperor of Atlantis” was awarded the prize for the best soloist. The verdict was announced during the official gala at the Theatre in Szeged on 15 October.

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About Vasyl Slipak

Vasyl Yaroslavovych Slipak (December 20, 1974 – June 29, 2016) was a Ukrainian baritone opera singer. From 1994 he frequently performed in France at such venues as Paris Opera and Opéra de la Bastille.For his opera performance, Slipak received several awards, including "Best Male Performance" for the Toreador Song.

Also Known As

Native Name: Василь Слiпак
Alternative Names: Wassyl Slipak Vasyl Yaroslavovych Slipak
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Additional quotes by Vasyl Slipak

Ukraine this year celebrated 25 years of independence, but it was real independence only after the Maidan, when a real state started to form. Here we have an example of a person who left his career to fight. New heroes of the new Ukraine are being born.

There are strong people in the world, who stand up for ideas by means of their talent. They are artists or craftsmen, writers or farmers, who are proud of their history, their past, present, and future. They switch from one art to another, forgetting that there is no otherworldliness on Earth and that human stupidity is a very complicated art which can only be appraised in the course of time and in silence. The same also applies to Vasyl Slipak – we in the West call an exalted voice like his the ‘voice from the Don’ because of its profundity and strength. This time it is about his last cry of freedom. This opus is not aimed at glorifying those who are ‘for’ or ‘against.’ I want to explain by means of this opus that, whatever the case, people must not die in the 21st century, sacrificing themselves on the altar of the god of war. The truth is hidden deep in the heart, and while peace protects it, war destroys it. So let me remember Vasyl Slipak as a friend who had no enemies and whose superb voice carried love for humanity. (2017)

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