What was the whole literature of supernatural horror but an essay to make death itself exciting?—wonder and strangeness to life’s very end. - Fritz Leiber

“So tell me, giant philosopher, why we’re not dukes,” the Gray Mouser demanded, unrolling a forefinger from the fist on his knee so that it pointed across the brazier at Fafhrd. “Or emperors, for that matter, or demigods.”
“We are not dukes because we’re no man’s man,” Fafhrd replied smugly, setting his shoulders against the stone horse-trough. “Even the duke must butter up a king, and demigods the gods. We butter no one. We so our own way, choosing our own adventures—and our own follies! Better freedom and a chilly road than a warm hearth and servitude.”
“There speaks the hound turned out by his last master and not yet found new boots to slaver on,” the Mouser retorted with comradely sardonic impudence.

No matter how hard and wearisome an age this might be, it was certainly a very exciting one with regard to manifestations of the supernatural.

He knew that sooner or later, in spite of all protecting charms and precautions, Death would creep silently on him or spring suddenly from some unguarded moment. This very night his horoscope might signal Death’s instant escapeless approach; and though men lived by lies, treating truth’s very self as lie to be exploited, the stars remained the stars.