The Jews might well, were they of such a mind (as I am, lament the disappearance of all those who painted the wooden synagogues in the small towns an… - Marc Chagall

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The Jews might well, were they of such a mind (as I am, lament the disappearance of all those who painted the wooden synagogues in the small towns and villages - oh why haven't I gone to my grave with them!), and the carvers of the wooden 'school mallets' – 'quiet boy!' (and if you should see them in Ansky’s collection, you’ll get a shock!). But is there really any difference between my ancestor from Mohiliev, who painted the synagogue there, and myself, who painted the Jewish theatre in Moscow (and a good theater it is at that)?.. .I am convinced that, were I to stop shaving, you would see in me a deceptive likeness.

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About Marc Chagall

Marc Chagall (July 7 1887 – 28 March 1985) was a Russian-Jewish painter who was born in Belarus, then part of the Russian Empire. He worked in Paris from 1910 till 1914, and after his Russian years (1914–1922) he returned to Paris. Among the celebrated painters of the 20th century, he is associated with the modern movements after Impressionism, but found the motifs of his painting in his religious Russian background.

Also Known As

Native Name: Moishe Zakharovitch Chagalov
Alternative Names: Marc Zakharovich Chagall Chagall Mark Zakharovich Shagal Moses Shagal Marḳ Shagal Marŭkkŭ Syagal Syagal Mark Shahal Moshe Segal Mark Sacharovich Schagal Chagall Mark Shagal M. Shagal Marc Szagal Mark Zakharovich Shagal' m. chagall Moïche Zakharovitch Chagalov
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Additional quotes by Marc Chagall

At present there is an extremely exaggerated formation of groups (students on the School of Art in Vitebsk) around 'trend'; there are 1. young people following Malevich and 2. young people following me. We both belong to the left-wing artistic movement, although we have different ideas about ends and means. Obviously it would take too long to talk about this problem now.. .But there is one thing I will tell you: Although I was born in Russia - and what is more: in the "settlement territory" – I was trained abroad and am all the more sensitive to everything that is taking place here in the field of art (the fine arts). The memory of the splendour of the original is much to painful for me..[to live – crossed out]

If Russian painters were condemned to become the pupils of the West they were, I think, rather unfaithful ones by their very nature. The best Russian realist conflicts with the realism of Courbet. The most authentic Russian Impressionism leaves on perplexed if one compares it with Monet and Pissaro. Here, in the Louvre, before the canvases of Manet, Millet and others, I understood why my alliance with Russia and Russian art did not take root. Why my language itself is foreign to them. Why people do not place confidence in me. Why the artistic circles fail to recognize me. Why in Russia I am entirely useless.. .In Paris, it seemed to me that I was discovering everything, above all a mastery of technique.. .It was not in technique alone that I sought the meaning of art then. It was as if the gods had stood before me.. .I had the impression that we are still only roaming on the surface of matter, that we are afraid to plunge into chaos, to shatter and overthrow beneath our feet the familiar surface. (reaction on his first arrival in Paris, 1910)

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I know I must live in France, but I don't want to cut myself off from America. France is a picture already painted. America still has to be painted. Maybe that's why I feel freer there. But when I work in America, it's like shouting in a forest. There's no echo.

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