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" "Every kind of language is... specialized form of bodily gesture, and in this sense it may be said that the dance is the mother of all languages... an original language of total bodily gesture.
This "original" language of total bodily gesture is thus the one and only real language, which everybody who is in any way expressing himself is using all the time. What we call speech and the other kinds of language are only parts of it which have undergone specialized development.
Robin George Collingwood (22 February 1889 – 9 January 1943) was an English philosopher, historian, and archaeologist. He is best known for his philosophical works including The Principles of Art (1938) and the posthumously published The Idea of History (1946).
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History is the way in which we conceive the world sub specie praeteritorum: its differentia is the attempt to organize the whole world of experience in the shape of past events. Science is the way in which we conceive the world sub specie quantitatis: its differentia is the attempt to organize the world of experience as a system of measurements. Such attempts differ radically from that of philosophy, for in philosophy there is no such primary and inviolable postulate. If we ask for a parallel formula applying to philosophy and inquire: 'In terms of what, then, does philosophy seek to conceive the world of experience?' there is no answer to the question. Philosophy is the attempt to conceive reality not in any particular way, but just to conceive it.
One of Collingwood's earliest attempts to define the aesthetic essence of art. His aim, he writes in the preface, is to state a general conception of art and develop its consequences. His conception is one already familiar through the writings of others -- "that art is as bottom neither more nor less than imagination" -- but from his observation he goes on to outline the various distinctions between subordinate conceptions of art, and to attempt to demonstrate their place in the general conception, and the place of both in life. He urges that the meaningfulness of art cannot be torn from the imaginative setting in which it is embedded, and that we must attempt to explain the process by which an artist reaches a particular point of view on reality.