I have heard so much about the perils ahead that I have had nightmares for several nights, in which I lived through all the horrors of war.. .The mil… - Berthe Morisot

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I have heard so much about the perils ahead that I have had nightmares for several nights, in which I lived through all the horrors of war.. .The militia are quartered in the studio, hence there is no way of using it. I do not read the newspapers much any more; one a day is enough for me. The Prussian atrocities upset me, and I want to retain my composure.. .Would you believe that I am accustomed to the sound of the canon [of the Prussians]? It seems to me that I am now absolutely inured to war and capable of enduring everything.

English
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About Berthe Morisot

Berthe Marie Pauline Morisot (14 January, 1841 – 2 March, 1895) was a French painter and a member of the circle of painters in Paris who became known as the Impressionists. Undervalued for over a century, possibly because she was a woman, she is now considered among the first league of Impressionist painters.

Also Known As

Alternative Names: Berthe Marie Pauline Morisot Berthe Manet Berthe Manet Morisot Berthe-Marie-Pauline Morisot Berthe Marie Pauline Morisot Manet Berthe Manet-Morisot Berthe Marie Pauline Morizot B. Morisot Morisot Bertha Morisot

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Additional quotes by Berthe Morisot

If you read some of the Parisian newspapers, among others the 'Figaro', so beloved of the right-thinking public, you must have learned that I am part of a group of artists who opened a private exhibition [in the art-gallery of Durand-Ruel in Paris, April 1876]. You must also have seen what favour this exhibition enjoys in the eyes of these gentlemen [Berthe refers to the critical articles in Paris with all their mockery about her works]. On the other hand, we have been praised in the radical newspaper, but you don't read those [her aunts]! Well, at least we are getting attention, and we have enough self-esteem not to care. My brother-in-law Edouard Manet is not with us [Manet didn't participate in this first Impressionist show, initiated by Degas ]. Speaking of success, he [Manet] has just been rejected by the Salon; he, too, is perfectly good-humored about his failure.

The touch, sure and light [is] fixing something of the passing moment.. ..memory is the true, imperishable life, that which has sunk without trace and been forgotten was not worth experiencing, the sweet hours, and the great and dread, are immutable. Dreams are life itself – and dreams are more true than reality; in them we behave as our true selves – if we have a soul it is there.

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It is odd that Edouard [Manet] with his reputation as an innovator, who has survived such storms of criticism, should suddenly be seen as a classicist. It just proves the imbecility of the public, for he has always been a classic painter.

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