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" "ჩვენ ჩვეულებრივ ამბებს აღვწერთ, მაგრამ ჩვეულებრივი ამბავი არაჩვეულებრივი ხდება, როცა იგი არაჩვეულებრივი მიზეზებითაა გამოწვეული.
Paul Thomas Mann (6 June 1875 – 12 August 1955) was a German novelist, short story writer, social critic, philanthropist, essayist, and 1929 Nobel Prize laureate, known for his series of highly symbolic and ironic epic novels and mid-length stories, noted for their insight into the psychology of the artist and the intellectual.
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Soll man die Segel streichen und dem Erlebnis ausweichen, sobald es nicht vollkommen danach angetan ist, Heiterkeit und Vertrauen zu erzeugen? Soll man 'abreisen', wenn das Leben sich ein bisschen unheimlich, nicht ganz geheuer oder etwas peinlich und kränkend anlässt? Nein doch, man soll bleiben, soll sich das ansehen und sich dem aussetzen, gerade dabei gibt es vielleicht etwas zu lernen.
Space, like time, engenders forgetfulness; but it does so by setting us bodily free from our surroundings and giving us back our primitive, unattached state. Yes, it can even, in the twinkling of an eye, make something like a vagabond of the pedant and Philistine. Time, we say, is Lethe; but change of air is a similar draught, and, if it works less thoroughly, does so more quickly.
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There is only one real misfortune: to forfeit one's own good opinion of oneself. To have lost one's self-respect: that is what unhappiness is. Oh, I have always known that so well! Everything else is part of the game, an enrichment of one's life; in every other form of suffering one can feel such extraordinary self-satisfaction, one can cut such a fine figure. Only when one has fallen out with oneself and no longer suffers with a good conscience, only in the throes of stricken vanity - only then does one become a pitiful and repulsive spectacle.