The term A[rt] resembles a chemist's graduated glass. Each age contributes its own quantity: for example, 5 grams of the perfume 'Coty' to tickle the… - El Lissitzky

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The term A[rt] resembles a chemist's graduated glass. Each age contributes its own quantity: for example, 5 grams of the perfume 'Coty' to tickle the nostrils of the fine gentry. Or another example, 10 cc of sulfuric acid to be thrown into the face of the ruling classes. Or, 15 cc: of some kind of metallic solution that later changes into a new source of light.. ..[as Lissitzky goes on to say] This A[rt] is an invention of the mind, i.e. a complex, where rationality is fused with imagination.

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About El Lissitzky

Lazar Markovich Lissitzky [Лазарь Маркович Лисицкий] (November 23, 1890 – December 30, 1941), more famous as El Lissitzky [Эль Лисицкий], was a Russian artist, designer, photographer, teacher, typographer, and architect. He was an active protagonist of Russian Constructivism.

Also Known As

Native Name: Ла́зарь Ма́ркович Лиси́цкий
Alternative Names: El' Lisickij Ėlʹ Lisit︠s︡kiĭ El Lissickij Eliezer Markovich Lissitzky Lasar Lissitzky Eliezer Lissitsky Lazar Markovich Lissitzky Lazar Markovich Lisitskii El Lazar Lissitzky Lazarʹ Markovich Lisit︠s︡kiĭ Lazar Markovich Lisi︡tskiĭ Lazar Markovich Lisitsky Eliezer Lissitzky Eliʻezer Lisitsḳi El Lissitsky Lazar Lissitzky E. M. Lissitsky El Lisitsḳi Eleazar Markovich Lissitzky El Lisitsky Eleazar M. Lissitzky Lasar Markowitsch Lissitzky Eliezer Lisitski Eliezer Lisitsky Lazarʼ Markovič Lisickij E. Lisitsḳi Lazar Markovich Lisitski Lazar Markovich Lisitzky Lasar Morduchovich Lissitsky Lissitzky
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Additional quotes by El Lissitzky

This is the model we await from Kasimir Malevich. AFTER THE OLD TESTAMENT THERE CAME THE NEW AFTER THE NEW THE COMMUNIST AND AFTER THE COMMUNIST THERE FOLLOWS FINALLY THE TESTAMENT OF SUPREMATISM. [But in this text postponed in a far wider concept than Malevich meant his Suprematism ]

PROUN is understood as the creative construction of form (based on the mastery of space) assisted by economic construction of the applied material. The goal of PROUN is progressive movement on the way to concrete creation, and not the substantiation, explanation, or promotion of life.

..into this chaos [after the Bolshevik' revolution] came suprematism extolling the square [referring to the Squares of Malevich] as the very source of all creative expression, and then came communism and extolled work as the true source of man's heartbeat.

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