But I know what I like.' She smiled, and et the cat drop to the floor. 'It's like Tiffany's,'she said. 'Not that I give a hoot about jewellery. Diamo… - Truman Capote

Imagine a morning in late November. A coming of winter morning more than twenty years ago. Consider the kitchen of a spreading old house in a country town. A great black stove is its main feature; but there is also a big round table and a fireplace with two rocking chairs placed in front of it. Just today the fireplace commenced its seasonal roar. A woman with shorn white hair is standing at the kitchen window. She is wearing tennis shoes and a shapeless gray sweater over a summery calico dress. She is small and sprightly, like a bantam hen; but, due to a long youthful illness, her shoulders are pitifully hunched. Her face is remarkable — not unlike Lincoln’s, craggy like that, and tinted by sun and wind; but it is delicate, too, finely boned, and her eyes are sherry-colored and timid. “Oh my,” she exclaims, her breath smoking the windowpane, “it’s fruitcake weather!

[F]or us, death is stronger than life, it pulls like a wind through the dark, all our cries burlesqued in joyless laugther; and with the garbage of liveliness stuffed down us untill our guts burst bleeding green, we go screaming round the world, dying, in our rented rooms, nightmare hotels, eternal homes of the transient heart.

To me, the greatest pleasure of writing is not what it’s about, but the inner music that words make.