You have to not be arrogant and say you know better, and you have to not thwart their creativity because they are creative people and they have a very different point-of-view than a filmmaker on how to get people in the seats. So, it’s a balance, like everything in life, between keeping your focus and being overly constricting. So, if you want to be a filmmaker, you have to realize what a long arbiter a movie is cut of and shaped on, how many phases there are to it, and how long you have to be totally focused on your story and the movie itself, and how it seemed one way but making a film is really trench warfare.

Just make the film. Action is the first word you must learn. And the second is patience. As a filmmaker you must wait for many things. You have to wait for money, the weather, the cast, the release. So you need to have good patience. The process is so long and most of the time it’s frustrating. To be a filmmaker, you must first take action, then have the persistence to pursue it.

Everyone who makes films has to be an athlete to a certain degree because cinema does not come from abstract academic thinking; it comes from your knees and thighs.

Directing films obviously there’s a ton more responsibility rather than just coming in and directing the action on the film because you’re responsible for every little nuance in the film from fingernail polish to jewelry to wardrobe to hair and you’re dealing with actors, you’re dealing with studio critics, and studios. You’re responsible for budget, more responsibility on all fronts, but it’s a great art form!

Become a documentarian of what you do.

Of course, people are more affected by actors or acting. But as a filmmaker, I need some logic. And this was my logic in making these two films, and how I connected these stories and these films together. People say my films don’t have any plot or storyline, but in my logic there is a storyline.

Read, read, read, read, read, read, read, read, read, read, read, read, read...if you don't read, you will never be a filmmaker.

I think the art of filmmaking is something you learn through actions, by doing it, not by learning theories. And as you do it, your mind starts to change.

Filmmaking is about creative entrepreneurship, and the transition I made from one filmic discipline to the next should be normalised, because not all creatives in filmmaking are limited to or only interested in one medium

As an actor, you're sort of the court-appointed lawyer for the character. And that's what used to draw me to scripts – something in a woman that I wanted to defend, something that I recognized or wanted to understand, something that turned my head.

I had to make a decision about whether I really wanted to be a lawyer or to pursue media.

Making a documentary is like having a dream. You can’t really anticipate what it will be. You have to constantly yield to whatever is manifested before you, to have the courage for whatever is revealed to you. Whatever truth confesses itself, even if it’s not what you anticipated. To just be a mirror. To invite in whatever arrives. To reflect it as loyally.

There are times that we need to up our games as actors, producers and other professions in the film making industry; we need to be professional and do things right. The fault in our movies did not just happen because we lack money, they also come with the way we handle things as professionals, though, money is also a big factor.There are other things that are attached to film making which we need to look at to move the industry forward

Now, before you make a movie, you have to have a script, and before you have a script, you have to have a story; though some avant-garde directors have tried to dispense with the latter item, you'll find their work only at art theaters.