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" "[Nature] only give it you, when you carefully consider its majesty and greatness. Does it not present beautiful scenes in front of your eyes that impossibly could be described to you by somebody else?.. ..[scenes], which you can try to realize afterwards in your room on the canvas or panel. (translation from original Dutch: Fons Heijnsbroek)
Koekkoek, Barend Cornelis (11 October, 1803 – 5 April, 1862) was a Dutch landscape artist and father of Johannes Hermanus Koekkoek. He was a leading and famous figure of the Dutch Romantic School.
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Shall I now ask these palette-slaves what poetry means, and in how many forms it appears to us? They want to chain her [poetry], just as they are tied up themselves to their master's palette, [or] to some part of the sacred history.. ..to a folktale.. .. a miraculous landscape .. .. or other pompous imaginations.
In my opinion the aim of the painter is similar with that of the poet, insofar that both want to affect the feelings of the viewer or reader. As soon as their scenes.. ..are lacking the mark of nature, of truth, than both will fail to realize it. The Dutch painter feels - as well as the Germans do - the influence of sublime nature, but the Dutch painter first wants to be acquainted with 'plain truth', to combine it afterwards with the poetic..
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(original Dutch, citaat van B.C. Koekkoek:) Zal ik nu deze palet-slaven vragen, wat poezij is, en onder hoe vele vormen zij zich aan ons vertoont of voordoet? Zij willen haar gekluisterd hebben, evenals zij aan het palet van hun meester gebonden zijn, aan het een of andere gedeelte der gewijde geschiedenis.. ..aan ene volkslegende.. ..een wonder vreemd landschap.. ..en meer andere hoogdravende voorstellingen.