Dialogue in Hell: Fourth Dialogue There are tremendous populations riveted to labor by poverty, as they were in other times by slavery. What differen… - Will Eisner

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Dialogue in Hell: Fourth Dialogue There are tremendous populations riveted to labor by poverty, as they were in other times by slavery. What difference, I ask you, do your fictions make to their happiness? Your great political movement has after all only ended in the triumph of a minority privileged by chance as the ancient nobility was by birth. What difference does it make to the proletariat bent over in its labor, weighted down by the heaviness of its destiny, that some orators have the right to speak, that some journalists have the right to write? You have created rights which will be purely academic for the mass of the people, since it cannot make use of them. These rights, of which the law permits him the ideal enjoyment and necessity refuses him the actual exercise, are the people only a bitter irony of defeat.

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About Will Eisner

William Erwin "Will" Eisner; March 6, 1917 – January 3, 2005) was an American , writer, and entrepreneur. He was one of the earliest cartoonists to work in the industry, and his series (1940–1952) was noted for its experiments in content and form. In 1978, he popularized the term "" with the publication of his book . He was an early contributor to formal with his book (1985). The was named in his honor, and is given to recognize achievements each year in the comics medium; he was one of the three inaugural inductees to the Will Eisner Comic Book Hall of Fame.

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Alternative Names: William Erwin Eisner Willis Rensie Willis B. Rensie W. Morgan Thomas Erwin Williams Wm. Erwin Mr. Heck Ford Davies
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Additional quotes by Will Eisner

Protocols: Number 11, paras. 1,2 The state Council has been, as it were, the emphatic expression of the ruler; it will be, as the “show” part of the Legislative Corps what may be called the editorial committee of the alws and decrees of the ruler. Br> This, then, is the program of the new constitution. We shall make Law, Right, and Justice (1) in the guide of proposals to the Legislative Corps, (2) by the decrees of the president under the guise of general regulations, of orders of the Senate and of resolutions of the State Council in the guise of ministerial orders, (3) and in case a suitable occasion should arise, in the form of a revolution in the State.

The tenement – the name derives from a fifteenth-century legal term for a multiple dwelling – always seemed to me a “ship afloat in concrete.” After all didn’t the building carry passengers on a voyage through life? No. 55 sat at the corner of Dropsie avenue near the elevated train, or the elevated as we called it in those days. It was a treasure house of stories that illustrated tenement life as I remembered it, stories that needed to be told before they faded from memory. Within its “railroad flats,” with rooms strung together train-like lived low-paid city employees or laborers and their turbulent families. Most were recent immigrants, intent on their own survival. They kept busy raising children and dreaming of the better lie they knew existed “uptown.” Hallways were filled with a rich stew of cooking aromas, sounds of arguments and the tinny wail from Victrolas. What community spirit there was stemmed from the common hostility of tenants to the landlord or his surrogate superintendent. Typically, the buildings tenants came and went with regularity, depending on the vagaries of their fortunes. But many remained for a lifetime, imprisoned by poverty or old age. There was no real privacy or anonymity. Everybody knew about everybody. Human dramas, both good and bad, instantly gathered witness like ants swarming around a piece of dropped food. From window to window or on the stoop below, the tenants analyzed, evaluated and critiqued each happening, following an obligatory admission that it was really none of their business.

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