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Let us invent a character, a nice respectable, middle-class, middle-aged, maiden lady, with time on her hands and the money to help her pass it. She enjoys pictures, books, music, and the theatre and though to none of these arts (or rather, for consistency's sake, to none of these three arts and the one craft) does she bring much knowledge or discernment, at least, as she is apt to tell her cronies, she "does know what she likes". Let us call her Aunt Edna.

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Downstairs in the lounge, by the third pillar from the left, there sits an old lady with a sweet, placid, spinsterish face and a mind that has plumbed the depths of human iniquity and taken it all as in the day's work....where crime is concerned, she's the goods.

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It was pretty clear to me and to them. I mean, most of my family are artists; my grandma, she’s a painter and she sleeps during the day and paints all night; she has all these health problems but she’s a devoted and committed artist. I was on the phone with her this morning and she said the best thing which was, ‘I’m in my second childhood, I should enjoy it.’ She’s in her 90s.

Our little ford was almost ready. She was later to be called Auntie after Gertrude Stein's aunt Pauline who always behaved admirably in emergencies and behaved fairly well most times if she was properly flattered.

She's a charming middle-aged lady with a face like a bucket of mud and if she has washed her hair since Coolidge's second term I'll eat my spare tyre, rim and all.

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Prudence is a rich, ugly old maid courted by incapacity.

… Her aunt is an agnostic, an ardent advocate of women's rights, an internationalist who rests all her hopes on Esperanto, is devoted to Bernard Shaw, and spends her spare time in campaigns of anti-vivisection. Her elder brother, whom she admires exceedingly, has just spent two years at Oxford. He is an Anglo-Catholic, an enthusiast concerning all things medieval, writes mystical poetry, reads Chesterton, and means to devote his life to seeking for the lost secret of medieval stained glass. Her mother's younger brother is an engineer, a strict materialist, who never recovered from reading Haeckel in his youth; he scorns art, believes that science will save the world, scoffs at everything that was said and thought before the nineteenth century, and ruins his health by experiments in the scientific elimination of sleep. Her mother is of a quietistic frame of mind, very much interested in Indian philosophy, a pacifist, a strict non-participator in life, who in spite of her daughter's devotion to her will not make any move to enlist her enthusiasms. And this may be within the girl's own household. Add to it the groups represented, defended, advocated by her friends, her teachers, and the books which she reads by accident, and the list of possible enthusiasms, of suggested allegiances, incompatible with one another, becomes appalling.

My Aunt Agatha, for instance, is tall and thin and looks rather like a vulture in the Gobi desert, while Aunt Dahlia is short and solid, like a scrum half in the game of Rugby football. In disposition, too, they differ widely. Aunt Agatha is cold and haughty, though presumably unbending a bit when conducting human sacrifices at the time of the full moon, as she is widely rumoured to do, and her attitude towards me has always been that of an austere governess, causing me to feel as if I were six years old and she had just caught me stealing jam from the jam cupboard: whereas Aunt Dahlia is as jovial and bonhomous as a dame in a Christmas pantomime.

When news had reached me through well-informed channels that my Aunt Agatha for many years a widow, or derelict, as I believed it is called, was about to take another pop at matrimony, my first emotion, as was natural in the circumstances, had been a gentle pity for the unfortunate goop slated to step up the aisle with her - she, as you are aware, being my tough aunt, the one who eats broken bottles and conducts human sacrifices by the light of the full moon.

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