Why bother to remake Fame if you don't have clue about why the 1980 movie was special? Why take a touching experience and make it into a shallow exer… - Roger Ebert

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Why bother to remake Fame if you don't have clue about why the 1980 movie was special? Why take a touching experience and make it into a shallow exercise? Why begin with a R-rated look at plausible kids with real problems and tame it into a PG-rated after-school special? Why cast actors who are sometimes too old and experienced to play seniors, let alone freshmen?

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About Roger Ebert

Roger Joseph Ebert (18 June 1942 – 4 April 2013) was an American film critic, film historian, journalist, essayist, screenwriter, and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013. He was the first film critic to win a Pulitzer Prize for Criticism.

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Also Known As

Pen Names: Reinhold Timme R. Hyde
Alternative Names: Roger Joseph Ebert

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Quantum theory is now discussing instantaneous connections between two entangled quantum objects such as electrons. This phenomenon has been observed in laboratory experiments and scientists believe they have proven it takes place. They’re not talking about faster than the speed of light. Speed has nothing to do with it. The entangled objects somehow communicate instantaneously at a distance. If that is true, distance has no meaning. Light-years have no meaning. Space has no meaning. In a sense, the entangled objects are not even communicating. They are the same thing. At the “quantum level” (and I don’t know what that means), everything may be actually or theoretically linked. All is one. Sun, moon, stars, rain, you, me, everything. All one. If this is so, then Buddhism must have been a quantum theory all along. No, I am not a Buddhist. I am not a believer, not an atheist, not an agnostic. I am more content with questions than answers.

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Boat Trip arrives preceded by publicity saying many homosexuals have been outraged by the film. Now that it's in theaters, everybody else has a chance to join them. Not that the film is outrageous. That would be asking too much. It is dim-witted, unfunny, too shallow to be offensive, and way too conventional to use all of those people standing around in the background wearing leather and chains and waiting hopefully for their cues. This is a movie made for nobody, about nothing.

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