I slipped out in the bathroom of a Parisian hotel and hit my head. I was in coma for about three days, and when I woke up, one half of my body was pa… - Donald O'Brien

[Unnamed actress on the set of Grand Prix] never had eyes for me. Hell, she wouldn't even talk to me, after she'd found out that I was just an unimportant actor. Good grief! Then, this is what happened: We were sitting in the foyer of the Hotel de Paris in Monte Carlo. She, myself and Antonio. Then an assistant director crossed our path. That actress was trying to get him to take us to the theatre where they were showing the rushes of the day before. After some discussion, she persuaded him. He said: `Be quiet, I'm gonna lose my job...' So we hid in the balcony, looking down, where that wonderful director Frankenheimer was sitting. After some minutes of racing cars, finally her scene came, and she was doing a phone call - she was playing a sophisticated magazine editor -, and suddenly you could hear the director, who had this loud, resonant voice, howling in rage, because he didn't like her at all. `Oh my God, she's awful! She can't walk, she can't talk, look at her hair!' So he turned to that faggot hairdresser, who was like Katherine the Great, and this guy said: `Well, usually she plays this peasant types. I don't know why you cast her for this role in the first place!' And remember, this actress was sitting there with us, and she nearly went crazy! She was squirming with embarrassment. This is an actor's nightmare, you know. The next day she was fired.

(Lucio Fulci) was a great director. Many terrible things happened to him in his life. He was rather unlucky. I have always enjoyed working with him greatly, as he was a truly original human being with a great love for cinema.

I remember that this production [IL SESSO DELLA STREGA] was so cheap we were thrown out of the hotel we were staying at. Believe it or not, we realized that each one of us would have to pay for himself! They sure had money trouble.