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" "Art is born and takes hold wherever there is a timeless and insatiable longing for the spiritual, for the ideal: that longing which draws people to art. Modern art has taken the wrong turn in abandoning the search for the meaning of existence in order to affirm the value of the individual for his own sake. What purports to be art begins to looks like an eccentric occupation for suspect characters who maintain that any personalised action is of intrinsic value simply as a display of self-will. But in an artistic creation the personality does not assert itself it serves another, higher and communal idea. The artist is always the servant, and is perpetually trying to pay for the gift that has been given to him as if by a miracle. Modern man, however, does not want to make any sacrifice, even though true affirmation of the self can only be expressed in sacrifice. We are gradually forgetting about this, and at the same time, inevitably, losing all sense of human calling.
Andrei Arsenyevich Tarkovsky (Russian: Андрей Арсеньевич Тарковский) (4 April 1932 – 29 December 1986) was a Soviet and Russian filmmaker, writer, film editor, film theorist and opera director.
Biography information from Wikiquote
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I see it as my duty to stimulate reflection on what is essentially human and eternal in each individual soul, and which all too often a person will pass by, even though his fate lies in his hands. He is too busy chasing after phantoms and bowing down to idols. In the end, everything can be reduced to the one simple element which is all a person can count upon in his existence: the capacity to love. That element can grow within the soul to become the supreme factor which determines the meaning of a person's life. My function is to make whoever sees my films aware of his need to love and to give his love, and aware that beauty is summoning him.
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"في طفولتي اقترحت أمي أن أقرأ " الحرب والسلام" للمرة الأولى، ولسنوات طويلة بعد ذلك كانت أمي غالبا ما تستشهد بمقاطع من الرواية ملفتة نظري الى دقة وبراعة تولستوي في كتابة النص الأدبي، وبالتالي صارت رواية " الحرب والسلام" بالنسبة لي مثل مدرسة للفن، ومعيارا للذوق والعمق الفني. . . بعدها لم يعد ممكنا أن أقرأ أي عمل تافه لأنه سوف يولّد لديّ إحساساً حاداً بالنفور."