I once heard Ben Webster playing his heart out on a ballad [...] All of a sudden he stopped. I asked him, "Why did you stop, Ben?" He said, "I forgot… - Ahmad Jamal

I listened to music from Tatum and Erroll Garner to Mozart. I've composed since I was 10 years old – I used to do 20% my own pieces and 80% other people's; now it's turned the other way. After a certain time you discover the Mozart in you, the Duke Ellington or Billy Strayhorn in you. It takes time to discover yourself. You also have to find and keep players who are in tune with what you're doing; you have that empathy, the quality of breathing together.

If you're applying for credit and write that you’re an insurance salesman, or a member of the Chicago Symphony, you won't have trouble. But just write "jazz musician" and you can't even buy a sofa on credit.

[Jazz and the European classical repertoire] In Pittsburgh we didn't separate the two schools [...] We studied Bach and Ellington, Mozart and Art Tatum. When you start at 3, what you hear you play. I heard all these things.