This is such a big deal, and my life is so simple. There are very few things — there's love, and work, and family. And I'd like to thank all my families, all the tribes that I come from and, most importantly, my mother Brandy who taught me that all my finger paintings were Picasso's and that I didn't have to be afraid. And, mostly, that cruelty might be very human, and it might be very cultural, but it's not acceptable.
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The mother who taught me what I know of tenderness and love and compassion taught me also the bleak rituals of keeping Negroes in their 'place.' The father who rebuked me for an air of superiority toward schoolmates from the mill and rounded out his rebuke by gravely reminding me that 'all men are brothers,' trained me in the steel-rigid decorums I must demand of every colored male. They who so gravely taught me to split my body from my mind and both from my 'soul,' taught me also to split my conscience from my acts and Christianity from southern tradition.
It's a dream to make a documentary about the story of my mother and our family. It's a way of paying tribute and also taking control of my life. I'm the one who knows what I went through to be here, what I built. As an artist, I want to tell relevant stories that contribute to making the world a better place than it is.
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We couldn’t afford many things, but we had education. My father was a headmaster and later became an education officer. My mother was fantastic: she always told me, ‘Do what you want.’ She gave me total freedom, in fact both my parents did. But I really owe it to my mother. When I said I will go to Banaras (Varanasi) to study, she said, ‘You want to go to Banaras? Ok, go.’ She would say, ‘Don’t worry about money, reading is most important, read and then everything will come.’ My family was very open. Thanks to them I’m what I am today. I am the only child of my parents, so is my wife.
They very often would let me paint, you know, instead of doing some of the other lessons, because I didn't speak English well enough. So I had a lot of painting. And I brought the paintings home with great pride, and my mother kept them for years, so I do know that I sort of…That was a place that I actually remember the smell of those materials and the texture of the surfaces and just, you know, kind of having this real visceral love of moving that color around -- which is, I think, you know, I still have that…
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