I believe that architects should design gardens to be used, as much as the houses they build, to develop a sense of beauty and the taste and inclination toward the fine arts and other spiritual values.

The most beautiful of all gardens is assuredly not that which is rather forest or field than garden, the 'landscape garden' of false taste; nor, on the other hand, the shaven and trimmed and weeded parterre with an unstarred lawn; but rather the garden long ago strictly planned, rigidly ordered, architecturally piled, smooth and delicate, but later set free, given over to time and the sun; not a wilderness, but having an enclosed wilderness, a directed liberty, a designed magnificence and excess.

A garden must combine the poetic and the mysterious with a feeling of serenity and joy.

A garden is a nursery for nurturing connection, the soil for cultivation of practical reverence. And its power goes far beyond the garden gate—once you develop a relationship with a little patch of earth, it becomes a seed itself.

The making of gardens and parks goes on with civilization all over the world, and they increase both in size and number as their value is recognized. Everybody needs beauty as well as bread, places to play in and pray in, where Nature may heal and cheer and give strength to body and soul alike. This natural beauty-hunger is made manifest in the little window-sill gardens of the poor, though perhaps only a geranium slip in a broken cup, as well as in the carefully tended rose and lily gardens of the rich, the thousands of spacious city parks and botanical gardens, and in our magnificent National parks — the Yellowstone, Yosemite, Sequoia, etc. — Nature’s sublime wonderlands, the admiration and joy of the world.

One of the most important resources that a garden makes available for use, is the gardener's own body. A garden gives the body the dignity of working in its own support. It is a way of rejoining the human race.

Gardens were meant to be seen, smelled, walked through, grubbed in. A hundred objective measurements didn’t sum the worth of a garden; only the delight of its users did that.

The glory of gardening: hands in the dirt, head in the sun, heart with nature. To nurture a garden is to feed not just the body, but the soul.

Gardens were meant to be seen, smelled, walked through, grubbed in. A hundred objective measurements didn't sum the worth of a garden; only the delight of its users did that.

A garden that one makes oneself becomes associated with one's personal history and that of one's friends, interwoven with one's tastes, preferences, and character, and constitutes a sort of unwritten, but withal manifest autobiography. Show me your garden, provided it be your own, and I will tell you what you are like.

Oh, what a pretty garden.

The garden is one of the two great metaphors for humanity.
The garden is about life and beauty and the impermanence of all living things.
The garden is about feeding your children, providing food for the tribe.
It’s part of an urgent territorial drive that we can probably trace back to animals storing food.
It’s a competitive display mechanism, like having a prize bull, this greed for the best tomatoes and English tea roses.
It’s about winning; about providing society with superior things; and about proving that you have taste, and good values, and you work hard.
And what a wonderful relief, every so often, to know who the enemy is.
Because in the garden, the enemy is everything: the aphids, the weather, time.
And so you pour yourself into it, care so much, and see up close so much birth, and growth, and beauty, and danger, and triumph.
And then everything dies anyway, right?
But you just keep doing it.

The Garden is a metaphor for the following: our minds, and our thinking in terms of pairs of opposites — man and woman, good and evil — are as holy as that of a god. (50)

It is not ponderable things alone that are found in gardens, but the great wonder of life, the peace of nature, the influences of sunsets and seasons and of all the tangible things to which we can give no name, not because they are small, but because they are outside the compass of our speech. In the great legend of the Fall the spiritual disaster of Man is symbolised by his exclusion from a garden, and the moral tragedy of modern industrialism is only the repetition of that ancient fable. Man lost his garden, and with it that tranquillity of soul that is found in gardens.