The "hard law of value," the "law set in stone"—when it abandons us, what sadness, what panic! This is why there are still good days left to fascist … - Jean Baudrillard

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The "hard law of value," the "law set in stone"—when it abandons us, what sadness, what panic! This is why there are still good days left to fascist and authoritarian methods, because they revive something of the violence necessary to life—whether suffered or inflicted. The violence of ritual, the violence of work, the violence of knowledge, the violence of blood, the violence of power and of the political is good! It is clear, luminous, the relations of force, contradictions, exploitation, repression! This is lacking today, and the need for it makes itself felt.

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About Jean Baudrillard

(27 July 1929 – 6 March 2007) was a French sociologist, philosopher, cultural theorist, political commentator, and photographer. His work is frequently associated with postmodernism and specifically post-structuralism.

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Additional quotes by Jean Baudrillard

To dissimulate is to pretend not to have what one has. To simulate is to feign to have what one doesn't have. One implies a presence, the other an absence. But it is more complicated than that because simulating is not pretending: "Whoever fakes an illness can simply stay in bed and make everyone believe he is ill. Whoever simulates an illness produces in himself some of the symptoms" (Littré). Therefore, pretending, or dissimulating, leaves the principle of reality intact: the difference is always clear, it is simply masked, whereas simulation threatens the difference between the "true" and the "false," the "real" and the "imaginary."

:Two bodies side by side, which are not asleep and know it: a strange kind of communication sets in between them, formed of respect for simulated sleep, and yet it needs to betray itself by some furtive sign — a breathing pattern which is not that of real sleep or movements which are not those of a dreaming body, Neither, however, wants to break the spell. It is a conspiracy in the dark, an emotional conspiracy filled with delicious tension.

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Particularly in the case of all professional of press-images which testify of the real events. In making reality, even the most violent, emerge to the visible, it makes the real substance disappear. It is like the Myth of Eurydice : when Orpheus turns around to look at her, she vanishes and returns to hell. That is why, the more exponential the marketing of images is growing the more fantastically grows the indifference towards the real world. Finally, the real world becomes a useless function, a collection of phantom shapes and ghost events. We are not far from the silhouettes on the walls of the cave of Plato.

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