If we knew thoroughly the nervous system of Shakespeare . . . we should be able to show why . . . his hand came to trace on certain sheets of paper t… - William James

Most of us probably fall several times a day into a fit somewhat like this: The eyes are fixed on vacancy, the sounds of the world melt into a confused unity, the attention is dispersed so that the whole body is felt, as it were, at once, and the foreground of consciousness is filled, if by anything, by a sort of solemn sense of surrender to the empty passing of time. In the dim background of our mind we know meanwhile what we ought to be doing: getting up, dressing ourselves, answering the person who has spoken to us, trying to make the next step in our reasoning. But somehow we cannot start; the pensée de derrière la tête [thought at the back of the head] fails to pierce the shell of lethargy that wraps our state about. Every moment we expect the shell to break, for we know no reason why it should continue. But it does continue, pulse after pulse, and we float with it, until — also without reason that we can discover — an energy is given, something — we know not what — enables us to gather ourselves together, we wink our eyes, we shake our head, the background ideas become effective, and the wheels of life go round again.

We are all ready to be savage in some cause. The difference between a good man and a bad one is the choice of the cause.

Matter is indeed infinitely and incredibly refined. To anyone who has ever looked on the face of a dead child or parent the mere fact that matter could have taken for a time that precious form, ought to make matter sacred ever after. It makes no difference what the principle of life may be, material or immaterial, matter at any rate cooperates, lends itself to all life's purposes. That beloved incarnation was among matter's possibilities.