The chief function of the city is to convert power into form, energy into culture, dead matter into the living symbols of art, biological reproductio… - Lewis Mumford

The repeated deaths of civilizations from internal disintegration and outward assault, massively documented by Arnold Toynbee, underscores the fact that the evil elements in this amalgam largely cancelled the benefits and blessings. The one lasting contribution of the megamachine was the myth of the machine itself: the notion that this machine was, by its very nature, absolutely irresistible- and yet, provided one did not oppose it, ultimately beneficent. That magical spell still enthralls both the controllers and the mass victims of the megamachine today.

There was no reason whatever to make a wholesale choice between handicraft and machine production: between a single contemporary part of the technological pool and all the other past accumulations. But there was a genuine reason to maintain as many diverse units in this pool as possible, in order to increase the range of both human choices and technological inventiveness. Many of the machines of the nineteenth century, as Kropotkin pointed out, were admirable auxiliaries to handicraft processes, once they could be scaled, like the efficient small electric motor, to the small workshop and the personally controlled operation. William Morris and his colleagues, who almost single-handed salvaged and restored one ancient craft after another, by personally mastering the arts of dyeing, weaving, embroidering, printing, glass-painting, paper-making, book-binding, showed superior technological insight to those who scoffed at their romanticism.

Today, the notion of progress in a single line without goal or limit seems perhaps the most parochial notion of a very parochial century.