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" "It is as inhuman to be totally good as it is to be totally evil. The important thing is moral choice. Evil has to exist along with good, in order that moral choice may operate. Life is sustained by the grinding opposition of moral entities.
Anthony Burgess (25 February 1917 – 22 November 1993) was an English writer and composer whose novels include the Malayan trilogy, A Clockwork Orange, the Enderby cycle, Nothing Like The Sun, Earthly Powers and The Kingdom Of The Wicked. He also produced critical works on Joyce, Lawrence, Hemingway and Shakespeare, and studies of language and of pornography.
Biography information from Wikiquote
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Journalism may not dare too much. It can be gently humorous and ironic, very lightly touched by idiosyncrasy, but it must not repel readers by digging too deeply. This is especially true of its approach to language: the conventions are not questioned. The questioning of linguistic conventions is one of the main duties of what we call literature.
I had felt sick before and had been saved by Sekt. Now I was beginning to feel sick of the Sekt. I would, I knew, shortly have to vomit.... I started gently to move towards one of the open windows. The aims of the artistic policy enunciated by the National Chamber of Film might, said Goebbels, be expressed under seven headings. Oh Christ. First, the articulation of the sense of racial pride, which might, without reprehensible arrogance, be construed as a just sense of racial superiority. Just, I thought, moving towards the breath of the autumn dark, like the Jews, just like the. This signified, Goebbels went on, not narrow German chauvinism but a pride in being of the great original Aryan race, once master of the heartland and to be so again. The Aryan destiny was enshrined in the immemorial Aryan myths, preserved without doubt in their purest form in the ancient tongue of the heartland. Second. But at this point I had made the open window. With relief the Sekt that seethed within me bore itself mouthward on waves of reverse peristalsis. Below me a great flag with a swastika on flapped gently in the night breeze of autumn. It did not now lift my heart; it was not my heart that was lifting. I gave it, with gargoyling mouth, a litre or so of undigested Sekt. And then some strings of spittle. It was not, perhaps, as good as pissing on the flag, but, in retrospect, it takes on a mild quality of emblematic defiance...
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In China he had spoken good Mandarin, and in ten years this had become his first tongue. Here he found himself with a parish of Hokkien and Cantonese speakers and a few English people whose language he could hardly talk. His French, severed from its sources of nourishment, grown coarse through lack of use, halted and wavered, searching for the right word which Mandarin was always ready to supply.