I'm very sorry to inconvenience you [ the art dealers G. and J. Berheim-Jeune ], but I find it impossible to supply you with any more Venice pictures… - Claude Monet

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I'm very sorry to inconvenience you [ the art dealers G. and J. Berheim-Jeune ], but I find it impossible to supply you with any more Venice pictures. It was useless trying to persuade my self otherwise, the work that's left is too poor for exhibition. Don't insist.. .I've enough good sense in me to know whether what I'm doing is good or bad, and it' utterly bad, and I can't believe that people of taste, if they have any knowledge at all, could see any value in it. Things have been dragging on like this for far too long..

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About Claude Monet

Oscar-Claude Monet (November 14, 1840 – December 5, 1926) was a French painter, and a leading artist in the French Impressionist art movement. Impressionism expresses one's perceptions before nature, especially as applied to plein-air landscape painting. The term "Impressionism" was derived from the title of Monet's painting Impression, soleil levant (Impression, Sunrise) which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.

Also Known As

Alternative Names: Monet Klod Mone Claude-Oscar Monet Cl. Monet Oscar Claude Monet monet claude claude oscar monet monet c. Claude Jean Monet Claude Oscar Monet C. Monet Oscar-Claude Monet
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Additional quotes by Claude Monet

I started selling my portraits. Sizing up my customer, I charged ten or twenty francs a caricature, and it worked like a charm. Within a month my clientele had doubled. Had I gone on like that I'd be a millionaire today. Soon I was looked up to in the town, I was 'somebody'. In the shop-window of the one and only frame-maker who could make out a livelihood in Le Havre, my caricatures were impudently displayed, five or six abreast, in beaded frames or behind glass like very fine works of art, and when I saw troops of bystanders gazing at them in admiration, pointing at them and crying 'Why, that's so-and-so!', I was just bursting with pride.

I hope that Cezanne will still be here and that he will join us, but he is so shy, so afraid of meeting new people, that I am afraid that he might let us down, even though he wants very much to meet you. How sad it is that this man hasn't had more patronage in his life! This is a true artist who has come to doubt himself far too much. He needs to be cheered up, so e was quote touched by your article.

I could not appreciate his [ Boudin ] paintings and when he offered to take me with him to paint outdoors in the open countryside, I always found a pretext and refused politely. But when summer came, I was more or less free to dispose of my time as I wished and I had no feasible excuse left to give him and gave in. Thus it was, that Boudin - with his inexhaustible kindness - took it upon himself to educate me. With time, my eyes began to open and I really started to understand nature. I also learned to love it. I would analyze its forms with my pencil. I would study its colorations.

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