(original version, written by Jacoba in German:)Ich war in Rotterdam, aber da war eine schreckliche Ausstellung. Le Fauconnier ist nichts mehr. Er hat jetzt eine schmutzige Farbe uns ist ein richtiger Akademiker. Mondrian ist ganz erstarrt, gar kein Poesie mehr. Es ist doch schrecklich, dass die Leute nicht weiter kommen mit grossen Idealen. Alma ist für meinen Geschmack viel zu viel Naturalist. Ein grösser Unterschied, die drei und [Franz] Marc, Kandinsky, Filla etc..

Disgusting, ridiculous, when other people did it.

How deeply the perverse Jewish spirit has penetrated German cultural life is shown in the frightening and horrifying forms of the Exhibition Of Degenerate Art in München ….. This has nothing at all to do with the suppression of artistic freedom and modem progress. On the contrary, the botched art works which were exhibited there and their creators are of yesterday and before yesterday. They are the senile representatives, no longer to be taken seriously, of a period that we have intellectually and politically overcome and whose monstrous, degenerate creations still haunt the field of the plastic arts in our time.”

The deepest, most disgusting shame ever perpetrated by a people in history, the Germans have done onto themselves. Egged on and misled by the tribe of Juda whom they hated, who were guests among them! That was their thanks! Let no German ever forget this, nor rest until these parasites have been destroyed and exterminated from German soil! This poisonous mushroom on the German oak-tree!

The discovery of their Mahadev, and more so the humiliation that he had been subjected to by concealing the idol in an ablution tank where people washed their dirty feet and spat out, overwhelmed everyone.

I was also drunk, crazy and heavily armed at all times. People trembled and cursed when I came into a public room and started screaming in German.

But they were fucked up in their turn By fools in old-style hats and coats,
Who half the time were soppy-stern And half at one another's throats.

I was in Rotterdam, but the exhibition there was horrible. Le Fauconnier has nothing to tell anymore. He has a dirty color now and has become a real academic. Mondrian is completely frozen, no poetry at all anymore. It's terrible that these people can not reach further with great ideals. To my taste paints far too much naturalistic. A big difference, these three, compared to [Franz] Marc, Kandinsky, Filla etc.. (translation from German, Fons Heijnsbroek, 2018)

The couples were dancing with hands on each other's hips, yelling in each other's faces, streaming with sweat. An orchestra in Bavarian costume whooped and drank and perspired beer. The place stank like beer

Sadly, they played very dirty. This ugly, vulgar, hard, hermetic, hardly eye-catching, hardly football style... If with this they got satisfaction, fine, but they lost.

They disrupted our culture

[German head coach Uwe Krupp] is asking his guys to basically be fire hydrants and they're getting peed on right now.

I was like a gravedigger while I painted these corpses [of the dead Baader-Meinhoff members]. It was just work. If I felt one of them looked too theatrical, I painted over it.. .I was afraid more of the reaction on the left than the right. It was still very dangerous to deal with this subject in Germany. There was fear that the museum where I showed them might be bombed. All my friends were on the left, but I was not. They said: 'Someone with the right mentality could do this, but not Richter - he is too bourgeois. He steals Baader-Meinhof away from us.' To me, they were part of the problem. I was standing outside watching how people, on both sides [left / right], ignored the truth because of their beliefs, beliefs that made them crazy. That was the point of the pictures.

We shit on the chest of Weird.