To say of a picture, as is often said in its praise, that it shows great and earnest labor, is to say that it is incomplete and unfit for view. - James McNeill Whistler

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To say of a picture, as is often said in its praise, that it shows great and earnest labor, is to say that it is incomplete and unfit for view.

English
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About James McNeill Whistler

James Abbott McNeill Whistler (10 July 1834 – 17 July 1903) was an American-born, British-based painter and etcher. Finding a parallel between painting and music, Whistler entitled many of his paintings 'arrangements', 'harmonies', and 'nocturnes'.

Also Known As

Birth Name: James Abbot McNeill Whistler
Native Name: James Whistler
Alternative Names: James McNeil Whistler James Abbott McNeil Whistler James Abbott MacNeil Whistler James Abbott Mcneill Whistler James Abbott Whistler James Mac Neill Whistler James Mc Neill Whistler James Mc. Neill Whistler James Abbott McNeill Whistler James Abbot M'Neill Whistler James M'Neill Whistler James Abbott M'Neill Whistler James A. McNeill Whistler

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Additional quotes by James McNeill Whistler

I say I can't thank you too much for the name 'Nocturne' as a title for my moonlights! You have no idea what an irritation it proves to the critics and consequent pleasure to me — besides it is really so charming and does so poetically say all that I want to say and no more than I wish.

A group from Glasgow sought in 1891 to purchase his portrait of w:Thomas Carlyle was shocked that Whistler's price was 1000 guineas. A spokesman countered that the portrait was not even life size. Whistler replied, 'But, you know, few men are life size.'

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As music is the poetry of sound, so is painting the poetry of sight, and the subject-matter has nothing to do with harmony of sound or of colour. The great musicians knew this. Beethoven and the rest wrote music — simply music; symphony in this key, concerto or sonata in that.. .Art should be independent of all claptrap — should stand alone, and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism, and the like. All these have no kind of concern with it; and that is why I insist on calling my works 'arrangements' and 'harmonies.'

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