This hill is crowned with a Portuguese church dedicated to the Virgin Mary as Our Lady of Expectation, and was built around 1547 on the foundations o… - Ishwar Sharan

There is simply nothing Indian, much less South Indian, in the setting and ambiance of the Acts of Thomas. All internal evidence suggests Syria, Iraq and Persia – or Parthia as it was called in the first century CE – as the place where the drama of the Acts was played out to its preordained end, or to a kingdom on the edge of the Roman Empire – like Edessa itself – as there are strong Greco-Roman influences in the text, India as a specific place and Gundaphorus and Misdaeus-Mazdai as Indian kings appear to be literary devices used by Bardesanes to give credibility to the unconventional religious theme of the book.

The practice had indeed been followed from time immemorial, in the first Shiva temple where it originated, whose place on the beach was now usurped by the Portuguese church. The practice was to take the festival image around the temple and lower them three times to the ground, at the sanctum door before the muladeva. The Hindus were continuing the ritual in the second temple, and by taking the festival images to the church on the beach were reverencing the ancient mulasthana – even if Christians and Gaspar Correa vainly thought otherwise.

Dr. R. Arulappa, the former Archbishop of Madras, is one such facile scholar – and yet he has made some unusual contributions to the study of Tamil history. In his book Punitha Thomayar – where he tries to show that Tiruvalluvar’s Kural is a Christian work – he mentions the finding of yantra stones in ancient foundations on all the sites in Madras associated with St. Thomas. He does not expand on these momentous discoveries or say where the stones are today, and it is not clear why he refers to them, but it is certainly true that the Agama Shastra requires the placing of such stones beneath the foundations of new temples before their construction begins.