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" "For fifteen centuries the religion of the Western world has been Christianity, Western Christianity, and there is no other religion now known or even imaginable that could take its place. But it is simply an historical fact, which we must deplore but cannot change, that only a small part of our population today, 12 or 15 per cent., really believes that Christ was the son of God, that the soul is immortal, and that our sins will be punished in a future life. That means that the religious instinct, which is a part of our nature, finds in the majority of our people no satisfaction in an unquestioning faith; so that those frustrated instincts are available for exploitation by any halfway clever scoundrel, as the shysters and punks who now occupy the majority of our pulpits well know. When faith is lost, what Pareto calls the religious residue in a people becomes its most vulnerable point, its Achilles heel. It is the unsatisfied need for an unquestioning faith in a superior power.
Dr. Revilo Pendleton Oliver (July 7, 1908 – August 20, 1994) was an American professor of classical philology, Spanish, and Italian at the University of Illinois at Urbana-Champaign, who wrote extensively for white supremacist causes. He briefly received national notoriety in the 1960s for an article following the John F. Kennedy assassination, suggesting that Lee Harvey Oswald was part of a Soviet conspiracy.
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The first Christian who can write decent Latin is Minucius Felix, whose Octavius, written in the first half (possibly the first quarter) of the Third Century must have done much to make Christianity respectable. He concentrates on ridiculing pagan myths that no educated man believed anyway and on denying that Christians (he means his kind, of course!) practice incest (a favorite recreation of many sects that had been saved by Christ from the tyranny of human laws) or cut the throats of children to obtain blood for Holy Communion (as some groups undoubtedly did). He argues for a monotheism that is indistinguishable from the Stoic except that the One God is identified as the Christian deity, from whose worship the sinful Jews are apostates, and insists that Christians have nothing to do with the Jews, whom God is going to punish. What is interesting is that Minucius has nothing to say about any specifically Christian doctrine, and that the names of Jesus or Christ do not appear in his work. There is just one allusion: the pagans say that Christianity was founded by a felon (unnamed) who was crucified. That, says Minucius, is absurd: no criminal ever deserved, nor did a man of this world have the power, to be believed to be a god (erratis, qui putatis deum credi aut meruisse noxium aut potuisse terrenum). That ambiguous reference is all that he has to say about it; he turns at once to condemning the Egyptians for worshipping a mortal man, and then he argues that the sign of the cross represents (a) the mast and yard of a ship under sail, and (b) the position of man who is worshipping God properly, i.e. standing with outstretched arms. If Minucius is not merely trying to pull the wool over the eyes of the gullible pagans, it certainly sounds as though this Christian were denying the divinity of Christ, either regarding him, as did many of the early Christians, as man who was inspired but was not to be identified with God, or claiming, as did a number of later sects, that what appeared on earth and was crucified was merely a ghost, an insubstantial apparition sent by Christ, who himself prudently stayed in his heaven above the clouds and laughed at the fools who thought they could kill a phantom. Of course, our holy men are quite sure that he was "orthodox."
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The struggle for existence in a universe we did not choose, and the burden of being a member of the only race which values objective, verifiable truth as an end in itself, makes us sometimes long for escape from reality -- in some cases through a literature of the fantastic, of marvelous dream worlds, of free-ranging fantasy. But we must not confuse that necessary escape with what is real. Permit me to suggest to the reader that it is a waste of his time and energy to play with fantasies that lack the literary and aesthetic charm of poetry and imaginative prose fiction.