These were the first specimens of Christian warfare against the heathen of Hind... It would perhaps be fortunate for Christianity, if the historic mu… - James Tod

The affinity that this word (Hakra) has botli to the Ghaggar, and Sankra,” would lead to the conclusion of either being the stream referred to. The former we know as being engulphed in the sands about the Hariana confines, while the Sankra is a stream which, though now dry, was used as a line of demarcation even in the time of Nadir Shah. It ran eastward, parallel with the Indus, and by making it his boundary Nadir added all the fertile valley of the Indus to his Persian kingdom.

“…To Iletmish we owe some of the finest Muslim works in India. The Arhai din ka-Jhopra began by Qutab al-Din in AD 1198-99, was also completed by him. Tod had said of it that it was ‘one of the most perfect as well as the most ancient monuments of Hindu architecture’, on the evidence of certain four-armed figures to be seen on the pillars…

Those who expect from a people like the Hindus a species of composition of precisely the same character as the historical works of Greece and Rome, commit the very egregious error of overlooking the peculiarities which distinguish the natives of India from all other races, and which strongly discriminate their intellectual productions of every kind from those of the West. Their philosophy, their poetry, their architecture, are marked with traits of originality; and the same may be expected to pervade their history, which, like the arts enumerated, took a character from its intimate association with the religion of the people. It must be recollected, moreover, that until a more correct taste was imparted to the literature of England and of France, by the study of classical models, the chronicles of both these countries, and indeed of all the polished nations of Europe, were, at a much more recent date, as crude, as wild, and as barren as those of the early Rajputs.