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What I really liked about him was he never messed with my mind as far as interpretation. Bad directors would try to tell you how to think. That's so … - Kim Novak
" "What I really liked about him was he never messed with my mind as far as interpretation. Bad directors would try to tell you how to think. That's so disruptive. It's just very disruptive unless you both come to an agreement on the character. Hitchcock was very precise about where he wanted you to stand. He never messed with your interpretation. It was wonderful. That gave you the freedom as a performer. I didn't agree with him about the costumes, but on the other hand, he let me express my views.
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About Kim Novak
Marilyn Pauline "Kim" Novak (born 13 February 1933) is an American former actress and visual artist. As an actress, she began her film career in 1954 by signing with Columbia Pictures to star in several films, including Picnic (1955), The Man with the Golden Arm (1955) and Pal Joey (1957). She is known for her dual role as Madeline Elster and Judy Barton in Alfred Hitchcock's thriller Vertigo (1958) with James Stewart. Throughout the 1960s, she enjoyed box office success with several co-stars until she left Hollywood in 1966 and pursued visual arts, as well as sporadically acting, until her retirement from acting in 1992. Her contributions to cinema have been honoured with two Golden Globe Awards, an Honorary Golden Bear Award, and a star on the Hollywood Walk of Fame. She is currently a painter and visual artist.
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Marilyn Pauline Novak
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Additional quotes by Kim Novak
You know, I wasn't gonna wait around. And I thought, 'You know, what I'd like to do if I have my choice, I wanna go to Big Sur and go back to painting.' For better or worse, I left Hollywood. I let in very few people in my life, and I got involved with animals in my life. And not just cats and dogs. I had to learn who I was again through animals, because animals know who you really are.
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I got so burned out on that picture that I wanted to leave the business, but then if you wait long enough you think, "Oh, I miss certain things." The making of a movie is wonderful. What's difficult is afterward when you have to go around and try to sell it. The actual filming, when you have a good script—which isn't often—nothing beats it.
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