Salma Hayek Quotes

"People often say that
"beauty is in the eye of the beholder"
and I say
"that the most liberating thing about beauty is realizing that you are the beholder. This empowers us to find beauty in places where others have not dared to look, including inside ourselves"."

Yes, I'm beautiful … I am beautiful and famous — and yet the things I like about myself have nothing to do with that, because I don't use wealth and beauty to define myself. People think I'm more beautiful than I am because they see me on magazine covers — but go to nearly any town, and you'd find prettier women. And though I'm well known now, I might not be famous one day —but I'd still be happy. I do have money, but I could be richer. I just don't want to pay the price some are willing to pay to have more money. I live in a small house. I'm not the glamour girl who wears makeup every day. I live a wonderful life, and I lack for nothing. Maybe that does make it easier for me to say, "Be who you are" — but I always tell people they shouldn't be too impressed with wealth and fame. They shouldn't worship it. I am in this machine, but I haven't completely given my soul to it.

I had been already trying to do Frida, but I would sit on my sorrows because it was so difficult. But now I was learning new things. And so I thought, this is what I want to do. I want to do one movie that if I die the next day, I know I left one thing in this world that I was very proud of, that other people can see, that meant something to me, that had my voice. Because God forbid I die tomorrow, I'm the bombshell for the rest of my existence. … Then I became very angry I said, I have become what they decided I am. When did I fall in this trap? Somebody decided I was this, and I became that. And I said, "I'm going to change it now. I'm going to define myself."

"People often say that "beauty is in the eye of the beholder," and I say that the most liberating thing about beauty is realizing that you are the beholder. This empowers us to find beauty in places where other have not dared to look including inside ourselves."

Before you do anything, think. If you do something to try and impress someone, to be loved, accepted or even to get someone's attention, stop and think. So many people are busy trying to create an image, they die in the process. Sleeping with the wrong person is one thing, but not using a condom because you want to please someone, or because you're in a romantic bubble, is another. … I wish we weren't so busy trying to impress people.

I'm very lucky I didn't have it easy, because I've learned so much from having to figure out everything on my own and create things for myself. Now I can teach what I've learned to the next generation. I'm not just going to be the pretty face that disappears. I've learnt how to produce, to direct, to write. I'm not disposable so easily anymore. When I am 60, I can keep directing. I have the potential to really, truly have a voice that makes a difference.

The perception of you is one thing. You're this famous person, and now you're this famous person who's a bombshell. So all of a sudden, that's the only way I get jobs. So I have to become the part. And they're telling you this is the way to do it. One director actually said to me, "I want to hear you talk dumber and faster." … He thought it was funny for the girl to be dumb. I finally said, "That's it, man — I can't do this anymore." I'd go to meetings during the filming of a movie, and the directors would ask, "What do you think of the script?" I'd say, "It has a lot of problems." They were confused. That's not what they wanted from me. … So I was not very popular. At one point I said, "I don't want to do this — it's not my dream." And so I said, "I'm going to start a company. I am going to create projects for me. I'm going to create projects for other Latin women." Because I got to a point where I was whining all the time. I was miserable. I was desperate

It's very easy to feel someone's pain when you love them.

I want to direct a movie in Mexico, in Spanish. The story is about how when we're really young, our dreams are colorful and big and abstract and interesting and imaginative. As the realities of life hit, our dreams become so common. To dream big doesn't necessarily mean to imagine becoming the biggest movie star in the world. Dreaming big is about taking the simplest thing in life and enjoying it — and seeing it as the biggest thing that can possibly exist. … I work in an industry that is the first to kill this ability because everything is so celebrity oriented. I am part of a cancer. In my world, you have to be so beautiful, so skinny, so rich, so famous — and I don't believe you really have to be any of those things. You simply have to be who you are.

Because there was no industry or parts for Latin women when I came here, there was really no competitiveness. Jennifer Lopez and I were the first, and I think Jennifer was my partner at the beginning. I think it was important for others to see two of us, because maybe then we could be thought of as a social phenomenon. Because she doesn't have a foreign accent, Jennifer tried out for parts I couldn't get. There are now others with accents — Penelope Cruz, Antonio Banderas — but mind you, Antonio and Penelope are from Europe, not Mexico. It's only now that the taboo on Mexicans is lifting as Americans realize we're a little bit more than migrant workers. I hear some Latinos say, "Oh, no, no, no, the cliché that we are gang members, that's so bad — we have to show everyone that we're family people." Hello? That's another cliché! It's getting yourself out of one box to put yourself in another. The way to fight a cliché is not by creating another one. What breaks the cliché is the emergence of strong individuals. That's the way to say, "You don't really know us — so when you look at me, or when you look at my sister, just be completely open for whatever. You have no clue who we are!" Here people don't know what box to put me into. I'm not from the Bronx, I'm not from East L.A., so they don't know how to take me or what to call me!

Every day, I define myself. I know who I am today. I don't promise you anything for tomorrow — we can have an interview and that's completely different! And you know what else? I am grateful to the bombshell because if it hadn't gotten me where it had gotten me, I wouldn't be where I am today. But this bombshell thing; it's old now. It served me. And I got out of it in time to keep from serving it. I used to think, I can't wait until 35, when people think I'm too old to be a bombshell. Maybe I'll get the good parts. But it wouldn't have happened that way. … Just because your boobs are saggy doesn't mean you get great roles. You're disposable.

I had an acting teacher who once told me that you could never really create from comfort. To do well as an actress, you have to push yourself to the edge. When you're comfortable, you're still on your ass. Sometimes we sit on our ass even with things we don't like. The whining, the crying, the becoming the victim, the this-town-doesn't-like-me-because-I'm-Mexican could've all made me say, "That's it — racism takes care of all my problems." … I think that's why it's harder for us to succeed, because we have a beautiful, comfortable crutch. It's right there, available.

Isn't it sad? In our world, women also don't support other women enough — how often do we really work together to make a difference? We are sometimes so vicious toward one another. We want to be independent women, but we really don't know who we are as women. It's about us taking control, because we tend to just blame. We complain about the world, but we are still not loving toward other women.

It's good to be sexy, but when that's all they can see — no.

As important as it is for the producers to pay more attention to the female roles, it's more important for us to take control over this situation and define who we are. Because if they just give us the parts, it's their point of view of who we are. What's important is that we define who we are and don't wait for the men to give us the roles.