I myself in my work tend to humanize everything, to relate mountains to people, tree trunks to the human body, pebbles to heads & figures, etc.. .To … - Henry Moore

" "

I myself in my work tend to humanize everything, to relate mountains to people, tree trunks to the human body, pebbles to heads & figures, etc.. .To cut out & make a taboo any organic representational element or human reference & then say the artist has gained freedom, seems as silly as locking yourself up in a small cell & saying 'now I know where I am – this is freedom – freedom from the outside world' [critic on the idea of pure Abstract art by Moore]

English
Collect this quote

About Henry Moore

Henry Moore OM CH FBA (30 July 1898 – 31 August 1986) was an English artist and sculptor, best known for his monumental bronzes, which combined abstract art and Surrealism, as Moore frequently declared himself. He is famous for his many large sculptures, located worldwide as public works of art.

Biography information from Wikiquote

Also Known As

Alternative Names: Henry Spencer Moore Henari Mure Henri Mur Henri Mor Henry II Moore Heng-li Mo-erh Henry Moore II
PREMIUM FEATURE
Advanced Search Filters

Filter search results by source, date, and more with our premium search tools.

Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.

Additional quotes by Henry Moore

The first hole made through a piece of stone is a revelation. The hole connects one side to the other, making it immediately more three-dimensional. A hole can itself have as much shape-meaning as a solid mass. Sculpture in air is possible, where the stone contains only the hole, which is the intended and considered form. The mystery of the hole – the mysterious fascination of caves in hill sides and cliffs.

The distinguishing quality of most primitive art is the intense vitality which it possesses, because it has been made by a people in close touch with life, who felt simply and strongly, and whose art was a means of expressing vitally important beliefs, hopes and fears. Negro sculpture is essentially religious and cannot be detached from the tribal gods, priests and ancient rituals. When civilization destroyed these things, it also destroyed their Art. These carvings have a serious and pathetic power – a bigness and monumental simplicity born of the racial patience in bearing life with all its terror and mystery.. ..(But as always, it was the artist who was the first to see in them a new thing – a new plastic conception – an artistic worth – a value as art – their importance as art).

Go Premium

Support Quotewise while enjoying an ad-free experience and premium features.

View Plans
Loading...