I came from an Afro-Puerto Rican middle class family that was hard-working and very proud of its heritage and personal accomplishments. So the images… - Dahlma Llanos-Figueroa

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I came from an Afro-Puerto Rican middle class family that was hard-working and very proud of its heritage and personal accomplishments. So the images of Puerto Rican gangsters, loose women and heroin addicts that were paraded in the media had nothing to do with my reality. Some of our people did lead those lives, but they weren't the majority in my community. The negative images that were ascribed to us all incensed the adults in my life who were too busy providing for their families to raise a potent political voice. As I grew older, I realized that the stereotypes were not just offensive but dangerous as well. Regardless of my experience, those images persisted, shaping the cultural perceptions of my community. I still meet people who can't believe I'm Puerto Rican because I speak English so well or, as I was told lately, insist that I couldn't possibly be Puerto Rican because Puerto Ricans are white. Those stereotypes and racist caricatures are out there still. It's my job to keep creating new and authentic images for our community.

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About Dahlma Llanos-Figueroa

Dahlma Llanos-Figueroa is an American writer who was born in Puerto Rico and later moved to New York City.

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“What you’ll be left with in the end will sustain you much more than any illusion you may have brought with you. Because here in addition to all the problems of poverty, political intrigue, corruption, jealousy, and sociological and historical denial, you’ll also find familia, respeto, dignidad, amor, trabajo, cariño. And yes, you will find racism, alive and well, just like you left it up north.” (p297)

(What advice do you have to give to budding writers?) Read, read, read. Read everything and pay attention. What works for you? What doesn't? Decide which writers you love and learn from what they put on paper. Equally important, find those you don't love and learn what not to do.

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The enslaved community has no material wealth, not even having ownership of their own bodies. They can lose their children, their homes, their very lives. They often lose their physical abilities which is the measure of their only value in their masters' eyes. But their spiritual beliefs and inherent gifts sustain them. They cling to that which cannot be taken away and that gives them the strength to overcome all that they have lost. Spirituality and memory are the bedrock of their existence. Storytelling is the conduit for passing on those qualities that will allow them to endure.

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