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" "The enormous and spontaneous spread of jazz in the modern world shows that meanings no different from those of the physico-cerebral "classical" music, which superseded nineteenth-century bourgeois melodrama and pathos, have in fact thoroughly penetrated the younger generation. But there are two sides to this phenomenon. Those who once went crazy for the waltz or delighted in the treacherous and conventional pathos of melodrama, now find themselves at ease surrounded by the convulsive-mechanical or abstract rhythms of recent jazz, both "hot" and "cool," which we must consider as more than a deviant, superficial vogue. We are facing a rapid and central transformation of the manner of listening, which is an integral part of that complex that defines the nature of the present. Jazz is undeniably an aspect of the resurfacing of the elemental in the modern world, bringing the bourgeois epoch to its dissolution.
Julius Evola (19 May 1898 – 11 June 1974) was an Italian far-right philosopher. Evola regarded his values as aristocratic, monarchist, masculine, traditionalist, heroic, and defiantly reactionary. An eccentric thinker in Fascist Italy, he also had ties to Nazi Germany; in the post-war era, he was an ideological mentor of the Italian neo-fascist and militant Right.
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The highest instrument of inner awakening of race is combat, and war is its highest expression. That pacifism and humanitarianism are phenomena closely linked to internationalism, democracy, cosmopolitanism and liberalism is perfectly logical – the same anti-racial instinct present in some, is reflected and confirmed in the others. The will towards sub-racial levelling inborn in internationalism finds its ally in pacifist humanitarianism, which has the function of preventing the heroic test from disrupting the game by galvanising the surviving forces of any still not completely deracinated peoples.
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We have to face the consequences of the fact that the family has long since ceased to have any higher meaning, or been cemented by living forces that go beyond the merely individual. The organic and, to a certain degree, "heroic" character that its unity presented in the past has been lost in the modern world, just as the institution's residual veneer of "sacrality" bestowed by religious marriage has disappeared, or nearly so. In reality, in the great majority of cases the modern family is presented as a petit bourgeois institution determined almost exclusively by conformist, utilitarian, primitive, or at best sentimental factors. Above all, its essential fulcrum has disappeared, which was constituted by the primarily spiritual authority of its head, the father: that is shown by the etymological meaning of the word pater as "lord," or "sovereign." […] How could the family continue to have a firm, binding center, if its natural head, the father, is so often estranged from it today—even physically, when the practical mechanism of material life takes him away from it? What authority can the father have, especially in the so-called upper classes, if he is reduced to a money-making machine, a busy professional, and the like?