The good fighter does "what has to be done" and does not let himself be troubled by any scepticism. [...] Given the ineptitude of the existing political groups, which, as is well known, have often forced qualified elements to move away from them, and given that what would have been desirable did not occur, which is to say, a political party as a mere force of manoeuvre in the present time, but absolutely disciplined and controlled by a superordinated group, owner of a precise inner doctrine not to be paraded in the common political struggle—given these things, the only possibilities seem to me to be those of more diffuse activity : to win, and influence with direct contacts, personalities, if possible, holding a post of command, not so much in the world of the political schemers as in that of the army, of officialdom and of business.
Italian philosopher and esotericist (1898-1974)
Julius Evola (19 May 1898 – 11 June 1974) was an Italian far-right philosopher. Evola regarded his values as aristocratic, monarchist, masculine, traditionalist, heroic, and defiantly reactionary. An eccentric thinker in Fascist Italy, he also had ties to Nazi Germany; in the post-war era, he was an ideological mentor of the Italian neo-fascist and militant Right.
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It is a cliché that the modern scientific vision has desacralized the world, and the world desacralized by scientific knowledge has become one of the existential elements that make up modern man, all the more so to the degree that he is "civilized." Ever since he has been subject to compulsory education, his mind has been stuffed with "positive" scientific notions; he cannot avoid seeing in a soulless light everything that surrounds him, and therefore acts destructively. What, for example, could the symbol of the sunset of a dynasty, like the Japanese, mean to him when he knows scientifically what the sun is: merely a star, at which one can even fire missiles.
The occult war is a battle that is waged imperceptibly by the forces of global subversion, with means and in circumstances ignored by current historiography. The notion of occult war belongs to a three-dimensional view of history: this view does not regard as essential the two superficial dimensions of time and space (which include causes, facts, and visible leaders) but rather emphasizes the dimension of depth, or the "subterranean" dimension in which forces and influences often act in a decisive manner, and which, more often not than not, cannot be reduced to what is merely human, whether at an individual or a collective level”
We have to face the consequences of the fact that the family has long since ceased to have any higher meaning, or been cemented by living forces that go beyond the merely individual. The organic and, to a certain degree, "heroic" character that its unity presented in the past has been lost in the modern world, just as the institution's residual veneer of "sacrality" bestowed by religious marriage has disappeared, or nearly so. In reality, in the great majority of cases the modern family is presented as a petit bourgeois institution determined almost exclusively by conformist, utilitarian, primitive, or at best sentimental factors. Above all, its essential fulcrum has disappeared, which was constituted by the primarily spiritual authority of its head, the father: that is shown by the etymological meaning of the word pater as "lord," or "sovereign." […] How could the family continue to have a firm, binding center, if its natural head, the father, is so often estranged from it today—even physically, when the practical mechanism of material life takes him away from it? What authority can the father have, especially in the so-called upper classes, if he is reduced to a money-making machine, a busy professional, and the like?
The enormous and spontaneous spread of jazz in the modern world shows that meanings no different from those of the physico-cerebral "classical" music, which superseded nineteenth-century bourgeois melodrama and pathos, have in fact thoroughly penetrated the younger generation. But there are two sides to this phenomenon. Those who once went crazy for the waltz or delighted in the treacherous and conventional pathos of melodrama, now find themselves at ease surrounded by the convulsive-mechanical or abstract rhythms of recent jazz, both "hot" and "cool," which we must consider as more than a deviant, superficial vogue. We are facing a rapid and central transformation of the manner of listening, which is an integral part of that complex that defines the nature of the present. Jazz is undeniably an aspect of the resurfacing of the elemental in the modern world, bringing the bourgeois epoch to its dissolution.
Those who regard the Crusades, with indignation, as among the most extravagant episodes of the 'dark' Middle Ages, have not even the slightest suspicion that what they call 'religious fanaticism' was the visible sign of the presence and effectiveness of a sensitivity and decisiveness, the absence of which is more characteristic of true barbarism.
Be radical, have principles, be absolute, be that which the bourgeoisie calls an extremist: give yourself without counting or calculating, don't accept what they call ‘the reality of life' and act in such a way that you won't be accepted by that kind of ‘life', never abandon the principle of struggle.
Not being able to ban sexuality altogether, Catholicism has tried to reduce it to a mere biological fact, allowing its use in marriage only for procreation. Unlike certain ancient traditions, Catholicism has recognized no higher value, not even a potential one, in the sexual experience taken in itself. There is lacking any basis for its transformation in the interests of a more intense life, to integrate and elevate the inner tension of two beings of different sexes, whereas it is in exactly these terms that one should conceive of a concrete "sacralization" of the union and the effect of a higher influence involved in the rite.
I truly cannot say what the person who still has hope for man should think of the imminence of quasi-apocalyptic destruction. It would certainly force many to face the existential problem in all its nakedness, and subject them to extreme trials; but is this a worse evil than that of mankind's safe, secure, satisfied, and total consignment to the kind of happiness that befits Nietzsche's "last man": a comfortable consumer civilization of socialized human animals, aided by all the discoveries of science and industry and reproducing demographically in a squirming, catastrophic crescendo?