In reality, chivalry was animated by the impulse toward a ‘traditional’ restoration in the highest sense of the word, with the silent or explicit ove… - Julius Evola

The enormous and spontaneous spread of jazz in the modern world shows that meanings no different from those of the physico-cerebral "classical" music, which superseded nineteenth-century bourgeois melodrama and pathos, have in fact thoroughly penetrated the younger generation. But there are two sides to this phenomenon. Those who once went crazy for the waltz or delighted in the treacherous and conventional pathos of melodrama, now find themselves at ease surrounded by the convulsive-mechanical or abstract rhythms of recent jazz, both "hot" and "cool," which we must consider as more than a deviant, superficial vogue. We are facing a rapid and central transformation of the manner of listening, which is an integral part of that complex that defines the nature of the present. Jazz is undeniably an aspect of the resurfacing of the elemental in the modern world, bringing the bourgeois epoch to its dissolution.

There is no correlation between material and spiritual misery. Only to the lowest and dullest levels of society can one preach the formula for all human happiness and wholeness as the well-named "animal ideal," a well-being that is little better than bovine. Hegel rightly wrote that the epochs of material well-being are blank pages in the history book, and Toynbee has shown that the challenge to mankind of environmentally and spiritually harsh and problematic conditions is often the incentive that awakens the creative energies of civilization. In some cases, it is not paradoxical to say that the man of good will should try to make life difficult for his neighbor! It is a commonplace that all the higher virtues attenuate and atrophy under easy conditions, when man is not forced to prove himself in some way; and in the final analysis it does not matter in such situations if a good number fall away and are lost through natural selection.

It is a cliché that the modern scientific vision has desacralized the world, and the world desacralized by scientific knowledge has become one of the existential elements that make up modern man, all the more so to the degree that he is "civilized." Ever since he has been subject to compulsory education, his mind has been stuffed with "positive" scientific notions; he cannot avoid seeing in a soulless light everything that surrounds him, and therefore acts destructively. What, for example, could the symbol of the sunset of a dynasty, like the Japanese, mean to him when he knows scientifically what the sun is: merely a star, at which one can even fire missiles.