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" "There is no correlation between material and spiritual misery. Only to the lowest and dullest levels of society can one preach the formula for all human happiness and wholeness as the well-named "animal ideal," a well-being that is little better than bovine. Hegel rightly wrote that the epochs of material well-being are blank pages in the history book, and Toynbee has shown that the challenge to mankind of environmentally and spiritually harsh and problematic conditions is often the incentive that awakens the creative energies of civilization. In some cases, it is not paradoxical to say that the man of good will should try to make life difficult for his neighbor! It is a commonplace that all the higher virtues attenuate and atrophy under easy conditions, when man is not forced to prove himself in some way; and in the final analysis it does not matter in such situations if a good number fall away and are lost through natural selection.
Julius Evola (19 May 1898 – 11 June 1974) was an Italian far-right philosopher. Evola regarded his values as aristocratic, monarchist, masculine, traditionalist, heroic, and defiantly reactionary. An eccentric thinker in Fascist Italy, he also had ties to Nazi Germany; in the post-war era, he was an ideological mentor of the Italian neo-fascist and militant Right.
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The enormous and spontaneous spread of jazz in the modern world shows that meanings no different from those of the physico-cerebral "classical" music, which superseded nineteenth-century bourgeois melodrama and pathos, have in fact thoroughly penetrated the younger generation. But there are two sides to this phenomenon. Those who once went crazy for the waltz or delighted in the treacherous and conventional pathos of melodrama, now find themselves at ease surrounded by the convulsive-mechanical or abstract rhythms of recent jazz, both "hot" and "cool," which we must consider as more than a deviant, superficial vogue. We are facing a rapid and central transformation of the manner of listening, which is an integral part of that complex that defines the nature of the present. Jazz is undeniably an aspect of the resurfacing of the elemental in the modern world, bringing the bourgeois epoch to its dissolution.
The good fighter does "what has to be done" and does not let himself be troubled by any scepticism. [...] Given the ineptitude of the existing political groups, which, as is well known, have often forced qualified elements to move away from them, and given that what would have been desirable did not occur, which is to say, a political party as a mere force of manoeuvre in the present time, but absolutely disciplined and controlled by a superordinated group, owner of a precise inner doctrine not to be paraded in the common political struggle—given these things, the only possibilities seem to me to be those of more diffuse activity : to win, and influence with direct contacts, personalities, if possible, holding a post of command, not so much in the world of the political schemers as in that of the army, of officialdom and of business.
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The occult war is a battle that is waged imperceptibly by the forces of global subversion, with means and in circumstances ignored by current historiography. The notion of occult war belongs to a three-dimensional view of history: this view does not regard as essential the two superficial dimensions of time and space (which include causes, facts, and visible leaders) but rather emphasizes the dimension of depth, or the "subterranean" dimension in which forces and influences often act in a decisive manner, and which, more often not than not, cannot be reduced to what is merely human, whether at an individual or a collective level”